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Before he was 21 years old, Texas-born pianist Little Willie Littlefield had etched an all-time classic into the blues lexicon. Only trouble was, his original 1952 waxing of "Kansas City" (here titled "K.C. Loving") didn't sell sufficiently to show up on the charts (thus leaving the door open for <a href="spotify:artist:7rETVFaF9VOFPmmzsY3kO6">Wilbert Harrison</a> to invade the airwaves with the ubiquitous <a href="spotify:artist:3oL5CpaC5cBSVmERMXuV7d">Jerry Leiber</a>/<a href="spotify:artist:1wsgQOJMWtqd2GF0sGSRUm">Mike Stoller</a> composition seven years later).
Influenced by <a href="spotify:artist:1pfiDZtUYY64LDWQZ941BN">Albert Ammons</a>, <a href="spotify:artist:3trsSEaKM3UM2R9RBJwdtJ">Charles Brown</a>, and <a href="spotify:artist:3uZRvkqeNHKLMFQrJBaUCX">Amos Milburn</a>, Little Willie was already a veteran of the R&B recording wars by the time he waxed "K.C. Loving," having made his debut 78 in 1948 for Houston-based <a href="spotify:search:label%3A%22Eddie%27s+Records%22">Eddie's Records</a> while still in his teens. After a few sides for <a href="spotify:search:label%3A%22Eddie%27s%22">Eddie's</a> and Freedom, he moved over to the Bihari Brothers' Los Angeles-headquartered <a href="spotify:search:label%3A%22Modern%22">Modern</a> logo in 1949. There he immediately hit paydirt with two major R&B hits, "It's Midnight" and "Farewell" (he added another chart entry, "I've Been Lost," in 1951).
Littlefield proved a sensation upon moving to L.A. during his <a href="spotify:search:label%3A%22Modern%22">Modern</a> tenure, playing at area clubs and touring with a band that included saxist Maxwell Davis. At Littlefield's first L.A. session for <a href="spotify:search:label%3A%22King%22">King</a>'s <a href="spotify:search:label%3A%22Federal%22">Federal</a> subsidiary in 1952, he cut "K.C. Loving" (with Davis on sax), but neither it nor several fine <a href="spotify:search:label%3A%22Federal%22">Federal</a> follow-ups returned the boogie piano specialist to the charts.
Other than a few 1957-1958 singles for Oakland's <a href="spotify:search:label%3A%22Rhythm%22">Rhythm</a> logo, little was heard from Little Willie Littlefield until the late '70s, when he began to mount a comeback at various festivals and on the European circuit. While overseas, he met a Dutch woman, married her, and settled in the Netherlands, where he remained active musically into the 2000s. He died of cancer in 2013. ~ Bill Dahl, Rovi
Influenced by <a href="spotify:artist:1pfiDZtUYY64LDWQZ941BN">Albert Ammons</a>, <a href="spotify:artist:3trsSEaKM3UM2R9RBJwdtJ">Charles Brown</a>, and <a href="spotify:artist:3uZRvkqeNHKLMFQrJBaUCX">Amos Milburn</a>, Little Willie was already a veteran of the R&B recording wars by the time he waxed "K.C. Loving," having made his debut 78 in 1948 for Houston-based <a href="spotify:search:label%3A%22Eddie%27s+Records%22">Eddie's Records</a> while still in his teens. After a few sides for <a href="spotify:search:label%3A%22Eddie%27s%22">Eddie's</a> and Freedom, he moved over to the Bihari Brothers' Los Angeles-headquartered <a href="spotify:search:label%3A%22Modern%22">Modern</a> logo in 1949. There he immediately hit paydirt with two major R&B hits, "It's Midnight" and "Farewell" (he added another chart entry, "I've Been Lost," in 1951).
Littlefield proved a sensation upon moving to L.A. during his <a href="spotify:search:label%3A%22Modern%22">Modern</a> tenure, playing at area clubs and touring with a band that included saxist Maxwell Davis. At Littlefield's first L.A. session for <a href="spotify:search:label%3A%22King%22">King</a>'s <a href="spotify:search:label%3A%22Federal%22">Federal</a> subsidiary in 1952, he cut "K.C. Loving" (with Davis on sax), but neither it nor several fine <a href="spotify:search:label%3A%22Federal%22">Federal</a> follow-ups returned the boogie piano specialist to the charts.
Other than a few 1957-1958 singles for Oakland's <a href="spotify:search:label%3A%22Rhythm%22">Rhythm</a> logo, little was heard from Little Willie Littlefield until the late '70s, when he began to mount a comeback at various festivals and on the European circuit. While overseas, he met a Dutch woman, married her, and settled in the Netherlands, where he remained active musically into the 2000s. He died of cancer in 2013. ~ Bill Dahl, Rovi
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