Last updated: 16 hours ago
One of the most gifted and focused production teams in the New York house underground, John "Roc" Mateo and Eddie "E-Z" Matos were both educated in the warm vibe of disco first-hand by listening to classic DJs on New York radio during the late '70s, among them <a href="spotify:artist:6GOmlO6wisWSbBzBbCCaWv">Shep Pettibone</a>, <a href="spotify:artist:3H8qk6ngZWWvpFBDiYJiFw">Tony Humphries</a> and Jonathan Fearing. That original link from disco informed their own productions for Henry Street, NiteGrooves, Nervous and a host of other labels during the 1990s.
The pair first met in 1985 and became DJ partners soon after. Later that year, they were introduced <a href="spotify:artist:5dncbrnveDMX9DgxcedeUg">"Little" Louie Vega</a> (several years before he joined <a href="spotify:artist:1TrfxjXu8quyDw05p2bacX">Kenny "Dope" Gonzalez</a> to become <a href="spotify:artist:5Fkj0k7EPUhIsESSIEA9f1">Masters at Work</a>) and learned much from <a href="spotify:artist:5dncbrnveDMX9DgxcedeUg">Vega</a> about recording-studio protocol, including production and engineering. Mateo & Matos earned their first high-profile DJ gig at Hector Cruz's mobile House Nation club and spent much of the rest of the 1980s DJing in a variety of locales. By 1989, the duo began using what they'd learned from <a href="spotify:artist:5dncbrnveDMX9DgxcedeUg">"Little" Louie Vega</a> in their own productions. After recording half-a-dozen singles for their own Final Cut Records, Mateo & Matos' reputation began to spread and they recorded for Oxygen Music Works, Henry Street, Nervous, NiteGrooves, and Spiritual Life during the mid-'90s. Their debut production album, New York Rhythms, appeared on Scotland's Glasgow Underground label in 1997. One year later, the second volume appeared. In 1999, The Many Shades of Mateo & Matos earned domestic distribution through Glasgow Underground. ~ John Bush, Rovi
The pair first met in 1985 and became DJ partners soon after. Later that year, they were introduced <a href="spotify:artist:5dncbrnveDMX9DgxcedeUg">"Little" Louie Vega</a> (several years before he joined <a href="spotify:artist:1TrfxjXu8quyDw05p2bacX">Kenny "Dope" Gonzalez</a> to become <a href="spotify:artist:5Fkj0k7EPUhIsESSIEA9f1">Masters at Work</a>) and learned much from <a href="spotify:artist:5dncbrnveDMX9DgxcedeUg">Vega</a> about recording-studio protocol, including production and engineering. Mateo & Matos earned their first high-profile DJ gig at Hector Cruz's mobile House Nation club and spent much of the rest of the 1980s DJing in a variety of locales. By 1989, the duo began using what they'd learned from <a href="spotify:artist:5dncbrnveDMX9DgxcedeUg">"Little" Louie Vega</a> in their own productions. After recording half-a-dozen singles for their own Final Cut Records, Mateo & Matos' reputation began to spread and they recorded for Oxygen Music Works, Henry Street, Nervous, NiteGrooves, and Spiritual Life during the mid-'90s. Their debut production album, New York Rhythms, appeared on Scotland's Glasgow Underground label in 1997. One year later, the second volume appeared. In 1999, The Many Shades of Mateo & Matos earned domestic distribution through Glasgow Underground. ~ John Bush, Rovi
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