Maysa

Born and raised in Baltimore, Maryland, jazz-soul singer/songwriter Maysa Leak embarked on a singing career at an early age. By the age of six, she had already determined that she was going to be a singer, and she spent her elementary and high school days performing in choir and musical theater productions. Maysa majored in classical voice performance at Morgan State University; during her studies there she began writing and recording original material. She also placed second in Baltimore's first annual <a href="spotify:artist:1YzCsTRb22dQkh9lghPIrp">Billie Holiday</a> Vocal Jazz Contest and auditioned for <a href="spotify:artist:7guDJrEfX3qb6FEbdPA5qi">Stevie Wonder</a>'s vocal group Wonderlove. She was accepted into the group but joined only after she had earned her degree from Morgan State.

Upon graduating, Maysa moved to North Hollywood to perform with Wonderlove on the Jungle Fever soundtrack and appeared in live and televised performances to promote the film. To pay her rent, Maysa also recorded jingles on her days off from performing with Wonderlove and worked at local record shops. In 1991, she was recommended to the British funk-jazz group <a href="spotify:artist:5moJNCJeiNwuQAhDLJXULs">Incognito</a> by producer Steve Harvey, a mutual friend of Maysa's and of the band's leader, Jean-Paul "Bluey" Maunick.

Maysa moved to London and joined the band in time to record the 1992 album Scribes, Tribes & Vibes, which included the hit single "Don't You Worry 'Bout a Thing." She also recorded the 1993 album Positivity with <a href="spotify:artist:5moJNCJeiNwuQAhDLJXULs">Incognito</a> before returning to Baltimore in 1994 to record her first solo album, Maysa. "What About Our Love," the album's single, reached number 52 on Billboard's Hot 100. In 1997, Maysa returned to <a href="spotify:artist:5moJNCJeiNwuQAhDLJXULs">Incognito</a> and recorded Beneath the Surface. During this time she began collaborating with the neo-blues group <a href="spotify:artist:62bRiAqGDOJvcfnr1eWExo">Grainger</a>, and appeared on their album Phase 1; she also recorded with <a href="spotify:artist:4ThkLup6LmqCUuHuG434zZ">Rick Braun</a>, <a href="spotify:artist:2NOT7eCzu06BIK7DGjFYK0">Rachel Z</a>, Rhythm Logic, and <a href="spotify:artist:70BRQ5tBte6kVqHviL3srE">Pieces of a Dream</a>. <a href="spotify:artist:5moJNCJeiNwuQAhDLJXULs">Incognito</a>'s No Time Like the Future followed in 1999.

Throughout the 2000s and early 2010s, Maysa was remarkably productive as a solo artist and continued to be appreciated more in the U.K. than in the U.S. The varied All My Life (2000), Out of the Blue (2002), and Smooth Sailing (2004) featured an array of sophisticated R&B, lush deep house, and crossover jazz, as well as covers of songs originally recorded by <a href="spotify:artist:5m8H6zSadhu1j9Yi04VLqD">Sly & the Family Stone</a>, <a href="spotify:artist:0kEfub5RzlZOB2zGomqVSU">Gil Scott-Heron</a>, and <a href="spotify:artist:4QQgXkCYTt3BlENzhyNETg">Earth, Wind & Fire</a>. In 2006, she began a lengthy association with the Shanachie label. Sweet Classic Soul (2006) and Feel the Fire (2007) were highlighted by reinterpretations of <a href="spotify:artist:2O0Hw1WSMbskB5tD9aWah3">the Stylistics</a>, <a href="spotify:artist:19y5MFBH7gohEdGwKM7QsP">Luther Vandross</a>, <a href="spotify:artist:6twIAGnYuIT1pncMAsXnEm">Commodores</a>, and <a href="spotify:artist:4JCt4xrbbBB9blkKwNlcJ7">Evelyn King</a>, while Metamorphosis (2008), A Woman in Love (2010), and Motions of Love (2011) were dominated by new songs written by and with the likes of longtime associate <a href="spotify:artist:3EfykdFFU2K4N6150oVSZ4">Rex Rideout</a>, <a href="spotify:artist:69k2JfIQxMpBbc1wtmHWZY">Will Downing</a>, <a href="spotify:artist:60ciIY5MouLc2Y9n34DJdA">Ledisi</a>, and <a href="spotify:artist:057eeHuaF5QTCQ76X2PRZ5">Chris Davis</a>. Maysa considered Blue Velvet Soul (2013), her tenth solo album, to be her best work. She followed it with a holiday album, A Very Maysa Christmas (2014), and Back to Love (2015), the latter of which featured <a href="spotify:artist:3wg6B0I3YwsARsBONWWAXL">Phil Perry</a> and <a href="spotify:artist:4MT97VeycuegSicrrphisJ">Mint Condition</a>'s Stokley Williams. In 2017, Maysa released Love Is a Battlefield, a covers LP that saw her delivering soulful renditions of songs by <a href="spotify:artist:53QzNeFpzAaXYnrDBbDrIp">the Isley Brothers</a>, <a href="spotify:artist:19y5MFBH7gohEdGwKM7QsP">Luther Vandross</a>, <a href="spotify:artist:5tTsrGPwQRWUsHR2Xf7Ke9">Natalie Cole</a>, and <a href="spotify:artist:43mhFhQ4JAknA7Ik1bOZuV">Pat Benatar</a>, among others. ~ Heather Phares & Andy Kellman, Rovi