Mick Harvey

Multi-instrumentalist Mick Harvey is best known for his deep roots in the tangled family tree of singer <a href="spotify:artist:1RM5gp0RFfjpJhCYFPB30p">Nick Cave</a>. Playing a pivotal role in the <a href="spotify:artist:1RM5gp0RFfjpJhCYFPB30p">Cave</a>-fronted <a href="spotify:artist:5FNUQUX6l8xV7dmOaBIMqN">Boys Next Door</a> (1977-1980), <a href="spotify:artist:5I2hMUcztc6QbzkyLskdt4">Birthday Party</a> (1980-1983), and Bad Seeds (1984-2009), Harvey added intricate details and anonymous atmospherics that gave life to the singer's ominous narratives. Harvey's own releases are illuminating projects, often conceptual in nature. His two tributes to French singer/songwriter <a href="spotify:artist:01C9OoXDvCKkGcf735Tcfo">Serge Gainsbourg</a>, Intoxicated Man (1995) and Pink Elephants (1997), were cited by <a href="spotify:artist:01C9OoXDvCKkGcf735Tcfo">Gainsbourg</a>'s muse and ex-wife <a href="spotify:artist:4XYH5Be5pn1qkxhfaID3J5">Jane Birkin</a> as influencing <a href="spotify:artist:01C9OoXDvCKkGcf735Tcfo">Gainsbourg</a>'s critical re-evaluation. Likewise, his instrumental skills have graced dozens of recordings by artists ranging from <a href="spotify:artist:7yRg26OvUSHv5dQOqlS0Px">Alexander Haacke</a> and <a href="spotify:artist:12VaqyEhgwDRuFfEqbnrpz">PJ Harvey</a> to <a href="spotify:artist:4yvuCAFk8vERXXBf138h8S">Robert Forster</a> and <a href="spotify:artist:4OOlG5eBXSkSAAEeKjJb5Y">Courtney Barnett</a>; he has composed a number of soundtracks for independent Australian films as well as scores for dance productions, and crafted evocative blends of covers and originals for his collaboration with vocalist Amanda Acevedo, 2023's Phantasmagoria in Blue, and his 2024 solo effort Five Ways to Say Goodbye.

Enthralled by the newly emerging punk rock, Harvey and <a href="spotify:artist:1RM5gp0RFfjpJhCYFPB30p">Cave</a> co-founded <a href="spotify:artist:5FNUQUX6l8xV7dmOaBIMqN">the Boys Next Door</a> (with Tracy Pew on bass, Phil Calvert on drums, Rowland Howard on guitar, and Harvey in various roles) in 1977. They made their recorded debut in 1978 (a cover of "These Boots Are Made for Walking") and released one full-length album (1979's Door, Door) before relocating to England in 1980. In their new home as <a href="spotify:artist:5I2hMUcztc6QbzkyLskdt4">the Birthday Party</a>, the group landed themselves a spot on <a href="spotify:search:label%3A%224AD+Records%22">4AD Records</a>. The black sheep on a roster of atmospheric dream pop acts, <a href="spotify:artist:5I2hMUcztc6QbzkyLskdt4">the Birthday Party</a> was an assault on the senses of an entirely different sort. Dark and guttural, their sound was defined by heavy bass, searing guitars, and <a href="spotify:artist:1RM5gp0RFfjpJhCYFPB30p">Cave</a>'s terrifying wail. Conflicts grew between songwriters <a href="spotify:artist:1RM5gp0RFfjpJhCYFPB30p">Cave</a> and Howard, and after three years, <a href="spotify:artist:5I2hMUcztc6QbzkyLskdt4">the Birthday Party</a> was put to rest.

Needing an outlet for his growing ambitions as a writer, <a href="spotify:artist:1RM5gp0RFfjpJhCYFPB30p">Cave</a> assembled the Bad Seeds (with <a href="spotify:artist:0ecGioDyIR2QiyujHeiwHw">Blixa Bargeld</a> and <a href="spotify:artist:6thoVTIStufhPSPgGT9AWe">Hugo Race</a> on guitar, and <a href="spotify:artist:4xoV3kh3rwrWaPc17zyDyY">Barry Adamson</a> on bass) in 1983. Harvey started playing drums. A talented performer and arranger, Harvey continually rose to the level of <a href="spotify:artist:1RM5gp0RFfjpJhCYFPB30p">Cave</a>'s improved writing over the years. The group's 1983 debut, From Her to Eternity, was a turning point. While the title track and "Cabin Fever" used the <a href="spotify:artist:5I2hMUcztc6QbzkyLskdt4">Birthday Party</a> template, lengthy narratives like "Saint Huck" and "A Box for Black Paul" signaled the changes ahead. Harvey joined Australia's <a href="spotify:artist:1JHNDcYDgecLVApixUMQY2">Crime & the City Solution</a> in 1985 for The Dangling Man EP. He would contribute to five albums under singer <a href="spotify:artist:0H7mwa1nFcoYByRUzINWPi">Simon Bonney</a> over a six-year span, culminating in 1990's Paradise Discotheque. By the time the Bad Seeds reconvened for Your Funeral...My Trial in 1986, all of the elements were in place. <a href="spotify:artist:1RM5gp0RFfjpJhCYFPB30p">Cave</a> turned out one of his best collections of outcast's tales and sorrowful ballads. Harvey left impressions everywhere. He built the drama of "The Carny" by layering piano, organ, xylophone, and glockenspiel. Elsewhere, his guitar proved the steady hand to <a href="spotify:artist:0ecGioDyIR2QiyujHeiwHw">Bargeld</a>'s fractured edges.

Using any idle time between his two day jobs, Harvey composed soundtrack music for the documentary Identity-Kid and Gisa Schleelein's Totes Geld (both 1987). This would become the pattern for Harvey as he would bide time between Bad Seeds and <a href="spotify:artist:1JHNDcYDgecLVApixUMQY2">Crime</a> albums with film work (Alta Marea & Vaterland collects projects from 1987-1992), production duties, and guest appearances, all the while remaining one of the few constants in the Bad Seeds' fluctuating lineup. Harvey's most significant solo work came in 1995 with Intoxicated Man, a tribute to <a href="spotify:artist:01C9OoXDvCKkGcf735Tcfo">Serge Gainsbourg</a>. A culmination of his craft, Harvey shifted easily through a number of settings, from the rollicking tribute to American outlaws "Bonnie and Clyde" to the dripping sentimentality of "Overseas Telegram." 1997 brought greater change for the Bad Seeds as <a href="spotify:artist:1RM5gp0RFfjpJhCYFPB30p">Cave</a> wrote a group of piano-led ballads for The Boatman's Call. Harvey contributed to most songs, but the sparse and reserved material called into question the necessity of the group.

Harvey released Intoxicated Man's companion, Pink Elephants, the same year, and in 1999 curated the Bad Seeds' Best Of collection. He composed his tenth collection of film music for Andrew Dominik's Chopper, in 2000. A few years later, Harvey created the original score for Australian Rules, a 2002 film by director <a href="spotify:artist:6GSPXMmmHm2oHsc0yGFmfp">Paul Goldman</a>. In 2005, he resumed his solo career with One Man's Treasure. A selection of his film scores appeared as Motion Picture Music 1945-2005 from <a href="spotify:search:label%3A%22EMI%22">EMI</a> in 2007, followed later in the year by a new studio album, Two of Diamonds. Harvey left the Bad Seeds in the late 2000s. He began producing records and doing session work, most notably on <a href="spotify:artist:12VaqyEhgwDRuFfEqbnrpz">PJ Harvey</a>'s 2011 offering Let England Shake. He recorded his first post-Bad Seeds solo album in late 2010. His first album of all-original material, Sketches from the Book of the Dead, was released internationally by <a href="spotify:search:label%3A%22Mute%22">Mute</a> in May of 2011. Though that effort of self-penned tracks was almost universally well-received, the ever-mercurial Harvey did a near about face for his next release. Featuring a well-chosen selection of covers interspersed with his own brief interludes and songs, Four (Acts of Love) was a cycle concerning the nature of romance and its power in the human experience. It was released in June of 2013. In 2014, his two previous albums of <a href="spotify:artist:01C9OoXDvCKkGcf735Tcfo">Gainsbourg</a> compositions were reissued as a double set, prompting a tour and the decision to record two more volumes. Harvey delved deep into <a href="spotify:artist:01C9OoXDvCKkGcf735Tcfo">Gainsbourg</a>'s catalog, and revised early and late material, including several cuts from the composer's score for the television drama Anna, which starred and featured the vocals of <a href="spotify:artist:5Hdnj4ih6VtuvwwNFUAMEC">Anna Karina</a> in the soundtrack. He cut a total of 19 tracks in Melbourne and Berlin with <a href="spotify:artist:60ByhV4GmJ6VihmqWA9rx9">Toby Dammit</a> and <a href="spotify:artist:2JzpIUoj6kZ8r11iE46yq7">Bertrand Burgalat</a> (the latter arranged strings on the first two volumes) and culled 12 from the bunch. The video single "Don't Say a Thing (Ne Dis Rien)" was issued in April 2016, followed by the full-length Delirium Tremens in June. Its companion, Intoxicated Women, was issued in January the following year. It contained another 15 tracks, many of which included duets to honor <a href="spotify:artist:01C9OoXDvCKkGcf735Tcfo">Gainsbourg</a>'s own with Frances Gall, <a href="spotify:artist:7j237zyOedtfrugnWFJKOJ">Juliette Greco</a>, and <a href="spotify:artist:1q24xIsAD7JZuVkTLR9TJy">Brigitte Bardot</a>. Harvey's partners included Kak Channthy, Xanthe Waite, Sophia Brous, Lyndelle-Jayne Spruyt, <a href="spotify:artist:7AUTmLTFczsYPnMDaLrU0N">Jess Ribeiro</a>, and <a href="spotify:artist:3soapNa5Pk3qfbSTlzMbxh">Andrea Schroeder</a>.

To commemorate the centenary anniversary of WWI's Armistice Day, Harvey and novelist <a href="spotify:artist:0lSjDXZKOqsQdwyrb34HIa">Christopher Richard Barker</a> collaborated on the concept album The Fall and Rise of Edgar Bourchier and the Horrors of War. Issued by <a href="spotify:search:label%3A%22Mute%22">Mute</a>, the set examined the work of the long-forgotten (and fictitious) World War I poet Edgar Bourchier, who is alleged to have composed his work from the front before he perished at Passchendaele in 1917 at the age of 24. His poems were published posthumously in 1918 and translated into song for a proposed but never staged cabaret treatment influenced by the Weimar Republic. <a href="spotify:artist:0lSjDXZKOqsQdwyrb34HIa">Barker</a> approached Harvey for his assistance in re-creating the scores for an unrealized cabaret show. The album was by turns a visionary collection attributed to Bourchier with texts written by <a href="spotify:artist:0lSjDXZKOqsQdwyrb34HIa">Barker</a>, and a meditation on war with Harvey's score. It featured musical contributions from Harvey's longtime collaborator <a href="spotify:artist:5TRXxkLq3FeqGi1Q9wjNJB">J.P. Shilo</a>, as well as Jade Imagine, <a href="spotify:artist:16khguhBKxA59DkkhsTanj">Simon Breed</a>, and <a href="spotify:artist:57vhIhkzqXdrZnLoD0yl9C">Alain Johannes</a> as guest vocalists. Harvey was commissioned to write music for the popular TV series Peaky Blinders, and a soundtrack album of his cues was released in 2019. Harvey's 2020 release Waves of Anzac/The Journey featured a pair of compositions for small string ensembles. The first was his score for Why ANZAC, a documentary series about the Australian and New Zealand Army Corps and their role in the disastrous Gallipoli campaign during World War I. The second was a four-movement piece written in support of child refugees trapped in Australia's offshore detention system.

Harvey met singer, filmmaker, and artist Amanda Acevedo while touring Mexico with <a href="spotify:artist:12VaqyEhgwDRuFfEqbnrpz">PJ Harvey</a>, and as they struck up a correspondence, she suggested they collaborate on music. Though Acevedo had never released any music of her own, Harvey was keen to work with her, and over the space of 18 months, they put together an album through remote file swapping and later, met in person for sessions in Los Angeles. Harvey and Acevedo's collaborative Phantasmagoria in Blue was released by <a href="spotify:search:label%3A%22Mute%22">Mute</a> in September 2023. Acevedo would contribute backing vocals to Harvey's next solo LP, 2024's Five Ways to Say Goodbye. Like Phantasmagoria in Blue, it was a powerfully atmospheric work that combined new material with interpretations of songs by artists such as <a href="spotify:artist:4GMP7hq7VXDmFiQ3KgiNtY">Ed Kuepper</a>, <a href="spotify:artist:6Elz2qLFnoivKS0AqEqdWu">David McComb</a>, <a href="spotify:artist:6cgQD0ylxQvQ0GMBBAl4k0">Lo Carmen</a>, <a href="spotify:artist:6v8FB84lnmJs434UJf2Mrm">Neil Young</a>, and <a href="spotify:artist:2aVHDjRHRM7dcFkGwahXLG">Lee Hazlewood</a>. ~ Nathan Bush & Mark Deming, Rovi