Last updated: 13 hours ago
Bristol, U.K.-based Kristian Jabs produces sparse yet tension-heavy drum'n'bass as Pessimist. His work is sleek, dark, and intelligent, clearly recalling <a href="spotify:artist:3hXDMlrPegHRO0zUvBsRSI">Photek</a> and <a href="spotify:artist:0fo0tocXO4ZkkVn3L0VZzB">Source Direct</a>, but forging its own path. His work isn't entirely as gloomy or nihilistic as this name suggests -- releases such as 2010's Close to Me hint at a lighter side -- but this is certainly not the most dancefloor-friendly music available. His first tracks appeared in 2010, on labels such as <a href="spotify:search:label%3A%22Ingredients+Records%22">Ingredients Records</a> and Touched By Records. Additional releases continued at a prolific pace, on labels including Alignment Records and Buried Audio, as well as an appearance on a compilation issued by legendary d'n'b label <a href="spotify:search:label%3A%22Renegade+Hardware%22">Renegade Hardware</a>. In 2012, Jabs began releasing material as part of <a href="spotify:artist:3k0JMgsjgKQqpahoh5vpI0">Ruffhouse</a>, a trio rounded out by <a href="spotify:artist:0Ga5VKTk7rFifWDtVVOK6P">Nick Callaghan</a> and Tom Cooper. Around 2015, with the release of "The Woods" on <a href="spotify:search:label%3A%22Samurai+Music%22">Samurai Music</a>, Jabs' music had become more experimental, and subsequent releases such as 2016's Paian (UVB-76 Music) drifted somewhere between experimental drum'n'bass and deep techno. His stark, unnerving 2016 single "Balaklava," released by <a href="spotify:search:label%3A%22Blackest+Ever+Black%22">Blackest Ever Black</a> sublabel <a href="spotify:search:label%3A%22A14%22">A14</a>, received acclaim from the underground electronic music press. Following the Pagans EP on <a href="spotify:search:label%3A%22Osiris+Music+UK%22">Osiris Music UK</a>, Pessimist's self-titled debut full-length appeared on <a href="spotify:search:label%3A%22Blackest+Ever+Black%22">Blackest Ever Black</a> in 2017. ~ Paul Simpson, Rovi
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