Last updated: 4 hours ago
Shannen Moser wants to have a conversation: with their past selves, their present self, their undesignated, unfurling future selves; with the trees that adorn their old street, and the door they used to call home; with the shadows of lovers-turned-to-friends and the overwhelming cacophony of abrupt change. They’re drawing a map but the port of call is cloudy and indistinct. It’s while traveling along these nebulous contours that their latest album The Sun Still Seems To Move forms a kind of physicality, of outstretched giving hands, that offers a guide through the fog. Here, Moser examines the disorientating, challenging task of trying to hold onto ourselves––and everything else––all at once. But this isn’t a fatalistic journey of melancholy or apprehension. Instead, Moser celebrates the small steps and the unwavering perseverance that makes it all worthwhile.
Moser’s previous albums <a href="spotify:album:65QmEaWyTyVzHSB8KgEwiR" data-name="Oh, My Heart">Oh, My Heart</a> (2017) and <a href="spotify:album:36M9vXfsbEw1vmFXvpGzVC" data-name="I'll Sing">I'll Sing</a> (2018) were praised for their careful, intimate arrangements that showcased their sharp, interpersonal narration and time-less lush vocals. OnThe Sun Still Seems To Move, their first release in four years, Moser takes the arresting simplicity of their past LPs to form a malleable foundation, and combines it with orchestral swells and poignantly-rich harmonies.
Moser’s previous albums <a href="spotify:album:65QmEaWyTyVzHSB8KgEwiR" data-name="Oh, My Heart">Oh, My Heart</a> (2017) and <a href="spotify:album:36M9vXfsbEw1vmFXvpGzVC" data-name="I'll Sing">I'll Sing</a> (2018) were praised for their careful, intimate arrangements that showcased their sharp, interpersonal narration and time-less lush vocals. OnThe Sun Still Seems To Move, their first release in four years, Moser takes the arresting simplicity of their past LPs to form a malleable foundation, and combines it with orchestral swells and poignantly-rich harmonies.
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