Last updated: 7 hours ago
Harmony Woods has always been about dynamics. When this Philly project began a regional rail stop away, Sofia Verbilla wrote songs about the ways people see each other on either end of disaster. Across two records that spoke to the quietest of bleeding hearts, Verbilla expanded on processing grief, trauma, & other aftermaths while her band climbed & collapsed around her, turning ordinary circumstances into visceral reflections.
GRACEFUL RAGE—the band’s third LP—basks in the sheer magnitude of letting revelations & recoveries blossom on their own terms. Produced by Bartees Strange, it’s an extension of trademarks & an exploration of new ground. Verbilla often lets moments stack & shiver like a wobbly house of cards, & the sparse vocal-led freeze of opener “Good Luck Rd.” continues that trusted thread. But it’s in the explosive nuance of tracks like “God’s Gift to Women,” a smoky and jagged pop-punk sneer, where Harmony Woods jets far from their most comfortable alcoves. What’s found in this growth is resolve & power, snug behind a radio-ready punch.
Across stopovers in pop-country’s swaying embrace (“Rittenhouse”), tear-stained calls for absolution (“Easy”), & the lockstep of booming percussion (“Holding You to You”), GRACEFUL RAGE regains footholds on forgotten pathways, shouldering the pain but destroying the doubt that smolders in its wake. It’s Harmony Woods at their most aware & assured, where towering relief & welcome confidence have finally converged. -James Cassar
GRACEFUL RAGE—the band’s third LP—basks in the sheer magnitude of letting revelations & recoveries blossom on their own terms. Produced by Bartees Strange, it’s an extension of trademarks & an exploration of new ground. Verbilla often lets moments stack & shiver like a wobbly house of cards, & the sparse vocal-led freeze of opener “Good Luck Rd.” continues that trusted thread. But it’s in the explosive nuance of tracks like “God’s Gift to Women,” a smoky and jagged pop-punk sneer, where Harmony Woods jets far from their most comfortable alcoves. What’s found in this growth is resolve & power, snug behind a radio-ready punch.
Across stopovers in pop-country’s swaying embrace (“Rittenhouse”), tear-stained calls for absolution (“Easy”), & the lockstep of booming percussion (“Holding You to You”), GRACEFUL RAGE regains footholds on forgotten pathways, shouldering the pain but destroying the doubt that smolders in its wake. It’s Harmony Woods at their most aware & assured, where towering relief & welcome confidence have finally converged. -James Cassar
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