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Soprano Sibylla Rubens began in the 1990s to establish a career as a concert and Lieder singer, and, to a lesser extent, opera. She studied at the State Musikhochschule in the town of Trossingen and continued at the Hochschule for Music and Fine Arts in Frankfurt am Main. Her interests after graduation are evident from her continued studies: master classes in Lieder interpretation with Irwin Cage (a great Lieder accompanist and coach), other master classes with <a href="spotify:artist:0eOythKkGSageuVFr6nDHf">Edith Mathis</a> (a great Lieder singer), and continuing studies since 1992 with another noted Lieder singer, Elsa Cavelti, in Basle, Switzerland.

Rubens has sung in festivals and concerts all over Europe. She sings the great oratorios and other full-scale works of the Baroque to Romantic era, including <a href="spotify:artist:5aIqB5nVVvmFsvSdExz408">Bach</a> cantatas and passions, <a href="spotify:artist:4NJhFmfw43RLBLjQvxDuRS">Mozart</a> masses, Magnificat, and Requiem, <a href="spotify:artist:1QL7yTHrdahRMpvNtn6rI2">Handel</a>'s Messiah and Israel in Egypt, <a href="spotify:artist:656RXuyw7CE0dtjdPgjJV6">Haydn</a>'s Creation and Seasons, <a href="spotify:artist:6MF58APd3YV72Ln2eVg710">Mendelssohn</a>'s Elijah and Lobgesang, <a href="spotify:artist:2UqjDAXnDxejEyE0CzfUrZ">Schumann</a>'s Scenes from Faust, <a href="spotify:artist:5wTAi7QkpP6kp8a54lmTOq">Brahms</a>' German Requiem and <a href="spotify:artist:2gClsBep1tt1rv1CN210SO">Fauré</a>'s Requiem, and <a href="spotify:artist:2ANtgfhQkKpsW6EYSDqldz">Mahler</a>'s Fourth Symphony. In addition, she has performed <a href="spotify:artist:7A29QKpDvdkEuTM6vcY17z">Alfred Schnittke</a>'s Requiem and in Denisov's arrangement of <a href="spotify:artist:2p0UyoPfYfI76PCStuXfOP">Schubert</a>'s Lazarus.

She works with both "original instruments" and standard orchestras and their conductors. These include such stars of the concert stage as <a href="spotify:artist:20iZXzMb8LoWXOeca32i82">Vladimir Ashkenazy</a>, <a href="spotify:artist:5TwA5VjT0UxdrtnEWT9saC">Helmuth Rilling</a>, and the Stuttgart Bach Academy, the <a href="spotify:artist:4yscD4NQlCKXEpUvBV3nj8">Tafelmusik Baroque Orchestra</a>, <a href="spotify:artist:2ozcTa5tl8qhSbhJKM60I5">Philippe Herreweghe</a> and the Chapelle Royale, Hartmut Haenchen, the NDR Symphony Orchestra of Hannover, the <a href="spotify:artist:2HqNckz4bPVT37fWkhugTZ">Amsterdam Royal Concertgebouw Orchestra</a>, <a href="spotify:artist:4HumAOOMTRnq7Vb1osyeX9">Leopold Hager</a>, the Bavarian Radio Orchestra, the Southwest German Radio Symphony Orchestra under <a href="spotify:artist:0846wlmyZ8g1zGTudT6jMe">Michael Gielen</a>, <a href="spotify:artist:3H5lFsmGtr8CoZexz2rznB">Herbert Blomstedt</a> and the <a href="spotify:artist:0SlNRZ8zBLAgyB1lsoYxAa">Leipzig Gewandhaus Orchestra</a>, Frans Brüggen and the Orchestre de Paris, and <a href="spotify:artist:0vBafEFOLXtq5mZuhMgsyL">Christopher Hogwood</a> and the <a href="spotify:artist:7g1xnN8wD9CqVtbxIATbLL">Beethoven Akademie</a>.

Rubens is in demand for summer music festivals, and has been praised for her singing of the <a href="spotify:artist:4NJhFmfw43RLBLjQvxDuRS">Mozart</a> roles of Marcellina (Marriage of Figaro) and Pamina (The Magic Flute) at the Stuttgart State Opera. Beginning in April 2001 she began a tour series of Lieder evenings with bass <a href="spotify:artist:2F9wlqbFp62pIdVrjnhdZi">Thomas Quasthoff</a>.

Rubens records on the Hänssler Classics label, and also has appeared on the Harmonia Mundi, Erato, and Decca labels. Her discography includes cantatas, the B minor Mass, and the Christmas Oratorio of <a href="spotify:artist:5aIqB5nVVvmFsvSdExz408">J.S. Bach</a>, <a href="spotify:artist:1QL7yTHrdahRMpvNtn6rI2">Handel</a>'s Messiah, <a href="spotify:artist:4NJhFmfw43RLBLjQvxDuRS">Mozart</a>'s Requiem and Idomeneo, <a href="spotify:artist:2p0UyoPfYfI76PCStuXfOP">Schubert</a>'s E flat major Mass and Lazarus, and, with Quasthoff, <a href="spotify:artist:3JvFTHGx6J55BUnjL8l04T">Hugo Wolf</a>'s Italienisches Liederbuch.

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16,576

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1034 tracks
1
Matthäus-Passion, BWV 244, Erster Teil: 8. Aria "Blute nur, du liebes Herz"

Matthäus-Passion, BWV 244, Erster Teil: 8. Aria "Blute nur, du liebes Herz"

Jan 1, 1999

1.3 million

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Matthäus-Passion, BWV 244, Erster Teil: 13. Aria "Ich will dir mein Herze schenken"

Matthäus-Passion, BWV 244, Erster Teil: 13. Aria "Ich will dir mein Herze schenken"

Jan 1, 1999

1.1 million

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Matthäus-Passion, BWV 244, Erster Teil: 12. Recitativo "Wiewohl mein Herz in Tränen schwimmt"

Matthäus-Passion, BWV 244, Erster Teil: 12. Recitativo "Wiewohl mein Herz in Tränen schwimmt"

Jan 1, 1999

1.0 million

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Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori "So ist mein Jesus nun gefangen" - 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden"

Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori "So ist mein Jesus nun gefangen" - 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden"

Jan 1, 1999

965,821

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5
Der Hirt auf dem Felsen, Op. 129, D. 965

Der Hirt auf dem Felsen, Op. 129, D. 965

Apr 29, 2008

717,018

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Matthäus-Passion, BWV 244, Zweiter Teil: 49. Aria "Aus Liebe will mein Heiland sterben"

Matthäus-Passion, BWV 244, Zweiter Teil: 49. Aria "Aus Liebe will mein Heiland sterben"

Jan 1, 1999

645,434

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Matthäus-Passion, BWV 244, Zweiter Teil: 48. Recitativo "Er hat uns allen wohlgetan"

Matthäus-Passion, BWV 244, Zweiter Teil: 48. Recitativo "Er hat uns allen wohlgetan"

Jan 1, 1999

492,084

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8
Wie der Hirsch schreit (Chorus)

Wie der Hirsch schreit (Chorus)

Jan 5, 2018

486,369

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Wie der Hirsch schreit (Chorus)

Wie der Hirsch schreit (Chorus)

Jan 1, 2000

486,214

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10
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Aria. Schafe konnen sicher weiden (Soprano)

Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Aria. Schafe konnen sicher weiden (Soprano)

Jan 1, 2000

392,190

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