Last updated: 3 hours ago
Down the alley, past the noise venue, beyond the goth club, there’s a red-velvet corner of the underground where everyone knows:
“It’s pronounced SEER-skew, and she’ll make you cry…”
You might even overhear the origin story, an operatic postpunk siren emerging from a stormy sea of public tragedy (Unreality, 2018), cast ashore in L.A. and learning to walk on dry land in her own two heels (Ever Crashing, 2022). A scene veteran with a what’s-in-your-bag fit for Greek myth, SRSQ has earned a worldwide rep as the diva of depression.
But now, singer/musician Kennedy Ashlyn is stripping off the opera gloves to get her hands dirty in every aspect of her project. As she stirs a dramatic streak of shoegaze into the messy cauldron of pop, where the boundaries of artist, genre, and medium dissolve, she gazes into SRSQ’s future with a new list of curiosities:
When the storm passes and the clouds part, how does a goddess of grief pass her days? In what new ways can she use these tempestuous powers of vulnerability? Mostly, she just wants to know: who else is out there, beyond the curtain of the underground, who might feel better if they could hear her voice?
“It’s pronounced SEER-skew, and she’ll make you cry…”
You might even overhear the origin story, an operatic postpunk siren emerging from a stormy sea of public tragedy (Unreality, 2018), cast ashore in L.A. and learning to walk on dry land in her own two heels (Ever Crashing, 2022). A scene veteran with a what’s-in-your-bag fit for Greek myth, SRSQ has earned a worldwide rep as the diva of depression.
But now, singer/musician Kennedy Ashlyn is stripping off the opera gloves to get her hands dirty in every aspect of her project. As she stirs a dramatic streak of shoegaze into the messy cauldron of pop, where the boundaries of artist, genre, and medium dissolve, she gazes into SRSQ’s future with a new list of curiosities:
When the storm passes and the clouds part, how does a goddess of grief pass her days? In what new ways can she use these tempestuous powers of vulnerability? Mostly, she just wants to know: who else is out there, beyond the curtain of the underground, who might feel better if they could hear her voice?
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