Last updated: 14 hours ago
When I was five, my parents gave me something I’ll never forget—a Pocket Rocker. Some of you might remember them: a tiny cassette player with mini tapes that held just a couple of songs. I wore mine out on Tears for Fears, Madonna, Huey Lewis & The News, and more. Back then, I wasn’t thinking about production or arrangements—I was just living inside the music.
That rush, that emotion, that feeling of hearing something brand new—that’s what I chase every time I create. My first albums, Glass Ocean and Void, were my first steps into the retro/synthwave world. Wasteland (2018) dug deeper into that sound, adding my own twist.
Now, I’m pushing even further—more collaborations, more vocals, more ways to tap into that same pulse I felt as a kid with a Pocket Rocker in my hands. Thanks for riding along. The best is still ahead.
That rush, that emotion, that feeling of hearing something brand new—that’s what I chase every time I create. My first albums, Glass Ocean and Void, were my first steps into the retro/synthwave world. Wasteland (2018) dug deeper into that sound, adding my own twist.
Now, I’m pushing even further—more collaborations, more vocals, more ways to tap into that same pulse I felt as a kid with a Pocket Rocker in my hands. Thanks for riding along. The best is still ahead.
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