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The San Francisco-based Aqua Velvets began creating their own distinctive style of original surf rock in the late '80s. The group came from the epicenter of the late '80s/early '90s new surf-rock movement, taking their inspiration from musicians like <a href="spotify:artist:6Ycrt8OjGSSFihsb0446eg">Dick Dale</a>, <a href="spotify:artist:03hfAxVdAWj7kxDnSG0fLD">the Shadows</a>, <a href="spotify:artist:2GaayiIs1kcyNqRXQuzp35">the Ventures</a>, <a href="spotify:artist:2vQavlZtDA660mnZotYIto">Link Wray</a>, <a href="spotify:artist:4UAjW7ABQfMm5F88xCtQln">Arthur Lyman</a> and <a href="spotify:artist:1nIUhcKHnK6iyumRyoV68C">Ennio Morricone</a>. Their brand of surf-rock incorporated elements of Latin and Mediterranean music, psychedelic, rockabilly and even some of the newer "lounge" music. The Aqua Velvets consisted of <a href="spotify:artist:7wd1ln8xYjazRW0aO3qFZf">Miles Corbin</a> (songwriter and guitars), <a href="spotify:artist:0WZMpY5Zryr2HTh1zX3Rrx">Michael Lindner</a> (bass, keyboards and accordion), Hank Maninger (guitar) and ex-<a href="spotify:artist:0ShV0veaBj1NvWRORhuwlI">Rubinoos</a> drummer Donn Spindt. The quartet's excellent self-titled, self-produced 1992 Riptide/Heyday Records debut was recorded in phases over a four-year period after working hours in the Porsche garage where Lindner was employed as a mechanic, where the natural echoes created by the concrete floor and high ceilings created just the right amount of natural reverb. Three years later, the group returned with Surfmania on WEA/Atlantic, followed by 1996's Nomad on Milan Entertainment/BMG. Guitar Noir appeared in 1997. Their music also appeared in the film Jury Duty, the documentary Surfer Girl, and the CD-ROM Surf 101. ~ Richard Skelly, Rovi

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