Last updated: 7 hours ago
Oxfordshire born Leicester-based multi-instrumentalist, producer, and artist Adam Weikert has spent over two decades creating everything from fragile neoclassical pieces to caustic punk anthems. With over three million streams, airplay on BBC Radio 1, 3, and 6, and music featured across film and media, Weikert has built a reputation for innovation and emotional depth.
"One to watch" - KLOF
"Sublime" - Tom Robinson, BBC6 Music
A core member of cult post-rock outfit <a href="spotify:artist:5T4PUHbhqRuBnNXE0GJeUy" data-name="Her Name Is Calla">Her Name Is Calla</a>, he wrote, produced, and toured worldwide before their acclaimed final album Animal Choir (2019). His solo work, however, reveals a more intimate side—haunting vocals, layered instrumentation, and experimental electronics shaped by his background in Music Technology and Innovation at De Montfort University.
Under the alias <a href="spotify:artist:0QwdZyKHMB6Q0apakLa2BE" data-name="Weikie">Weikie</a>, he released Raise Our Sunken Ship (2012) and Murder Came Before the Word, folk works that helped him find both his voice and himself. Later, as Adam Weikert, he pushed boundaries with the multimedia album USIDOH (2017) and the artful piano record With My Love (2024), which sold out its first Giclée print series in a day.
Now, Weikert returns with To Whom Ourselves We Owe (19 Dec 2025, The Gleeman Guild)—his boldest work yet. Born from a journey through folk as therapy and nuanced by a residency with Gavin Bryars, it fuses all eras of his sound into something deeply engaging as it is uneasy.
"One to watch" - KLOF
"Sublime" - Tom Robinson, BBC6 Music
A core member of cult post-rock outfit <a href="spotify:artist:5T4PUHbhqRuBnNXE0GJeUy" data-name="Her Name Is Calla">Her Name Is Calla</a>, he wrote, produced, and toured worldwide before their acclaimed final album Animal Choir (2019). His solo work, however, reveals a more intimate side—haunting vocals, layered instrumentation, and experimental electronics shaped by his background in Music Technology and Innovation at De Montfort University.
Under the alias <a href="spotify:artist:0QwdZyKHMB6Q0apakLa2BE" data-name="Weikie">Weikie</a>, he released Raise Our Sunken Ship (2012) and Murder Came Before the Word, folk works that helped him find both his voice and himself. Later, as Adam Weikert, he pushed boundaries with the multimedia album USIDOH (2017) and the artful piano record With My Love (2024), which sold out its first Giclée print series in a day.
Now, Weikert returns with To Whom Ourselves We Owe (19 Dec 2025, The Gleeman Guild)—his boldest work yet. Born from a journey through folk as therapy and nuanced by a residency with Gavin Bryars, it fuses all eras of his sound into something deeply engaging as it is uneasy.
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