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As the organist in the first <a href="spotify:artist:3ICflSq6ZgYAIrm2CTkfVP">Animals</a> lineup, Alan Price was perhaps the most important instrumental contributor to their early run of hits. He left the group in 1965 after only a year or so of international success (he can be seen talking about his departure with <a href="spotify:artist:74ASZWbe4lXaubB36ztrGX">Bob Dylan</a> in the rockumentary Don't Look Back) to work on a solo career. Leading the Alan Price Set, he had a Top Ten British hit in 1966 with a reworking of "I Put a Spell on You," complete with <a href="spotify:artist:3ICflSq6ZgYAIrm2CTkfVP">Animals-ish</a> organ breaks and bluesy vocals. His subsequent run of British hits between 1966 and 1968 -- "Hi-Lili-Hi-Lo," "Simon Smith and His Dancing Bear," "The House That Jack Built," and "Don't Stop the Carnival" -- were in a much lighter vein, drawing from British music hall influences. "Simon Smith and His Dancing Bear," from 1967, was one of the first <a href="spotify:artist:3HQyFCFFfJO3KKBlUfZsyW">Randy Newman</a> songs to gain international exposure, though Price's version -- like all his British hits -- went virtually unnoticed in the U.S. A versatile entertainer, Price collaborated with <a href="spotify:artist:5rWKAmlxinr3muqedXVIHa">Georgie Fame</a>, hosted TV shows, and scored plays in the years following the breakup of the Alan Price Set in 1968. He composed the score to Lindsay Anderson's O Lucky Man!, where his spare and droll songs served almost as a Greek chorus to the surreal, whimsical film (Price himself has a small role in the movie). His 1974 concept album Between Today and Yesterday was his most critically acclaimed work. ~ Richie Unterberger, Rovi
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