Artist
DakhaBrakha
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DakhaBrakha — is world-music quartet from Kyiv, Ukraine. Reflecting fundamental elements of sound and soul, Ukrainian «ethnic chaos» band DakhaBrakha, create a world of unexpected new music.
The name DakhaBrakha is original, outstanding and authentic at the same time. It means «give/take» in the old Ukrainian language.
DakhaBrakha was created in 2004 at the Kyiv Center of Contemporary Art «DAKH» by the avant-garde theatre director — Vladyslav Troitskyi. Theatre work has left its mark on the band performances — their shows have never been staged without the scenic effects.
Having experimented with Ukrainian folk music, the band has added rhythms of the surrounding world into their music, thus creating bright, unique and unforgettable image of DakhaBrakha. It will help to open up the potential of Ukrainian melodies and to bring it to the hearts and consciousness of the younger generation in Ukraine and the rest of the world as well.
Accompanied by Indian, Arabic, African, and Australian traditional instrumentation, the quartet’s astonishingly powerful and uncompromising vocal range creates a trans-nationalsound rooted in Ukrainian culture.
At the crossroads of Ukrainian folklore and theatre their musical spectrum is intimate then riotous, plumbing the depths of contemporary roots and rhythms, inspiring «cultural and artistic liberation».
The name DakhaBrakha is original, outstanding and authentic at the same time. It means «give/take» in the old Ukrainian language.
DakhaBrakha was created in 2004 at the Kyiv Center of Contemporary Art «DAKH» by the avant-garde theatre director — Vladyslav Troitskyi. Theatre work has left its mark on the band performances — their shows have never been staged without the scenic effects.
Having experimented with Ukrainian folk music, the band has added rhythms of the surrounding world into their music, thus creating bright, unique and unforgettable image of DakhaBrakha. It will help to open up the potential of Ukrainian melodies and to bring it to the hearts and consciousness of the younger generation in Ukraine and the rest of the world as well.
Accompanied by Indian, Arabic, African, and Australian traditional instrumentation, the quartet’s astonishingly powerful and uncompromising vocal range creates a trans-nationalsound rooted in Ukrainian culture.
At the crossroads of Ukrainian folklore and theatre their musical spectrum is intimate then riotous, plumbing the depths of contemporary roots and rhythms, inspiring «cultural and artistic liberation».
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