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Whether as musician, composer or producer, Daniel Lopatin aka Oneohtrix Point Never has constantly merged roles, starting with his first release, Betrayed in the Octagon, to his latest film scores such as the anticipated upcoming cinematic release, Marty Supreme. With 11 studio albums under his belt including R Plus Seven, Garden of Delete, Age Of, MagicOPN and Again, he most recently released his latest, Tranquilizer, which has garnered much critical acclaim in worldwide ‘best album of 2025’ lists.
An accomplished artist who moves effortlessly through musical genres, Daniel Lopatin is responsible for soundtracks to many films including those from his ongoing collaboration with the Safdie Brothers such as Uncut Gems (2019) and Good Time (2017), the latter for which he received Best Soundtrack Award at Cannes Film Festival. In recent years he has collaborated with a diverse range of artists including James Blake, Charli XCX, Iggy Pop, Anohni, David Byrne and Nine Inch Nails. Notably his relationship with the The Weeknd has seen him act as the the Musical Director for his 2021 Super Bowl Half-Time performance. Daniel was also an Executive Producer on The Weeknd's worldwide #1 charting albums, “Dawn FM” and “Hurry Up Tomorrow” as well as writing the original score to the film of the same name.
An accomplished artist who moves effortlessly through musical genres, Daniel Lopatin is responsible for soundtracks to many films including those from his ongoing collaboration with the Safdie Brothers such as Uncut Gems (2019) and Good Time (2017), the latter for which he received Best Soundtrack Award at Cannes Film Festival. In recent years he has collaborated with a diverse range of artists including James Blake, Charli XCX, Iggy Pop, Anohni, David Byrne and Nine Inch Nails. Notably his relationship with the The Weeknd has seen him act as the the Musical Director for his 2021 Super Bowl Half-Time performance. Daniel was also an Executive Producer on The Weeknd's worldwide #1 charting albums, “Dawn FM” and “Hurry Up Tomorrow” as well as writing the original score to the film of the same name.
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