Doyle Lawson

Doyle Lawson has been one of the top mandolin players in bluegrass music since the early days of his career in the 1960s. Lawson worked with the <a href="spotify:artist:6QtdwqSCN5B4wvBoHaNwTx">Country Gentlemen</a> and <a href="spotify:artist:6gfqvidGxCJgbqSaserlkF">J.D. Crowe</a> before forming his own group, Quicksilver, where he incorporated traditional gospel quartet singing into his music and honed his unique bluegrass-gospel sound to a remarkable intensity. The stalwart six-man group has remained active for over four decades, touring relentlessly and issuing acclaimed efforts like Rock My Soul, More Behind the Picture Than the Wall, In Session, and Roundtable.

Doyle Lawson was born in unincorporated Ford Town, Tennessee, near Kingsport in Sullivan County. Several members of his family sang in local gospel quartets, but the Lawsons also listened to The Grand Ole Opry on the radio during the years when <a href="spotify:artist:5CWbfANRpZbnxdstzcNg5H">Bill Monroe</a> was creating the music that took the name of bluegrass. <a href="spotify:artist:5CWbfANRpZbnxdstzcNg5H">Monroe</a> inspired young Lawson to take up music and to learn the mandolin. He borrowed his first one at age 11 from a member of his father's gospel quartet and eventually taught himself the five-string banjo and guitar as well. In 1963, Lawson began playing banjo with Jimmy Martin & the Sunny Mountain Boys. He moved to Kentucky and played with various groups before joining J.D. Crowe & the Kentucky Mountain Boys in 1966, first on guitar and then on mandolin. Lawson made his recording debut with <a href="spotify:artist:1VkiIRxkeBZrnTjsvG8Xqg">Red Allen</a> on Bluegrass Holiday and temporarily returned to <a href="spotify:artist:5Xwgp3LVYzHtRnio8TbzWz">Martin</a>'s band in 1969 but otherwise stayed with <a href="spotify:artist:6gfqvidGxCJgbqSaserlkF">Crowe</a> until 1971, recording two albums with him.

In 1971, Lawson joined <a href="spotify:artist:6QtdwqSCN5B4wvBoHaNwTx">the Country Gentlemen</a> and toured Japan with them the following year. He remained with the group for eight years, recording ten albums with the band. Lawson also recorded an album of mandolin instrumentals, Tennessee Dream, in 1977, which also featured <a href="spotify:artist:6gfqvidGxCJgbqSaserlkF">Crowe</a>, <a href="spotify:artist:4YgACLaoEjPl4kVZ5WmBN9">Jerry Douglas</a>, and <a href="spotify:artist:2hdWa1ITLNBBtU5CM0m2Jg">Kenny Baker</a>. In 1979, he put Quicksilver together, which included banjo player <a href="spotify:artist:69tHknxbNNbYvasgD2LiHE">Terry Baucom</a>, guitarist Jimmy Haley, and electric bass player <a href="spotify:artist:6pLbG63bQVlbOyZGb8ldd6">Lou Reid</a>. In 1980, Quicksilver released their eponymous debut album and followed it up with Rock My Soul. In 1981, Quicksilver Rides Again, featuring <a href="spotify:artist:4YgACLaoEjPl4kVZ5WmBN9">Douglas</a>, <a href="spotify:artist:2zsStamnZC4eP7rHxSN4Kh">Mike Auldridge</a>, and <a href="spotify:artist:3Fud2i8WgXSZCVmi961lXm">Sam Bush</a>, came out. The group also released a gospel album, Heavenly Treasures, which sold better than the group's initial secular LPs, and Lawson himself proclaimed in 1985 that he had rededicated his life to Jesus Christ.

Lawson's next album, Once and for Always, appeared that year and featured both bluegrass and gospel tunes. In 1986, Lawson recorded the all-gospel Beyond the Shadows with new players <a href="spotify:artist:6dnbsL19QVqDqacfrak5IC">Scott Vestal</a> on banjo, Curtis Vestal on electric bass, and <a href="spotify:artist:5aF3afR0J0tSyZEiKOeB4L">Russell Moore</a> on guitar, and the following year brought the first of several a cappella gospel albums, Heaven's Joy Awaits. <a href="spotify:artist:0yCkCJaSvA88lfongkpnXT">Lawson & Quicksilver</a> gained a reputation for razor-sharp gospel harmonies that incorporated virtuosic vocal moves drawn from the Black gospel tradition as well as from white quartet singing (some of it already rooted in Black styles). Lawson recruited new members into Quicksilver but maintained the consistency of the group's style. Continuing to record mostly gospel music, Lawson explored styles and presentation modes of the past in such albums as Gospel Radio Gems (1998), which was recorded with only a single microphone.

Several of the 1980s <a href="spotify:artist:0yCkCJaSvA88lfongkpnXT">Doyle Lawson & Quicksilver</a> LPs were re-released in pairs on CD in the late '90s by the group's longtime label, <a href="spotify:search:label%3A%22Sugar+Hill%22">Sugar Hill</a>. Lawson resurfaced with the new gospel albums Just Over in Heaven and Gospel Parade in the early 2000s, and in 2002 Lawson released the masterly Hard Game of Love, his first secular disc in some years. He bounced back from coronary problems later that year and continued to perform. In 2005 he put out the impeccably played/produced You Gotta Dig a Little Deeper, once again with Quicksilver, followed by More Behind the Picture Than the Wall in 2007. Lonely Street and Light on My Feet Ready to Fly appeared in 2009 and 2010, respectively. Lawson released two albums for <a href="spotify:search:label%3A%22Crossroads%22">Crossroads</a> -- 2011's Drive Time and 2012's Sing Me a Song About Jesus -- before moving to <a href="spotify:search:label%3A%22Mountain+Home%22">Mountain Home</a> for 2013's Roads Well Traveled. He stayed at the label for 2014's Open Carefully, Message Inside, 2015's Grammy-nominated In Session, 2016's Burden Bearer, and 2017's Life Is a Story. 2022's Roundtable was issued on <a href="spotify:search:label%3A%22Billy+Blue+Records%22">Billy Blue Records</a>. Lawson is the longtime host of his own Doyle Lawson & Quicksilver Bluegrass Festival in Denton, North Carolina. ~ James Manheim, Rovi