Last updated: 5 hours ago
“There are two ways things can fall,” says Dude York’s Claire England. “They can fall and be ruined, or they can fall gently like a feather and be fine.” On Falling, their second full-length for Hardly Art, the Seattle trio explores that sentiment through impossibly catchy and emotive songs that investigate the ways you can fall in and out of relationships, and sometimes fall back together.
Falling finds Dude York sounding bigger and more fully-realized than ever with hits that would feel perfectly at home sandwiched between Jimmy Eat World and Third Eye Blind in early 2000s alt-rock radio rotation, while somehow still sounding utterly their own. Peter Richards (guitar) and England (bass) share equal songwriting and lead vocal duties on this record, a significant change from their previous album, 2017’s Sincerely, on which England fronted only two songs. The duality of their songwriting and vocals compliment each other emotionally and sonically, with Andrew Hall’s harmonies and driving drums providing their own unique character in each song.
A line of nostalgia runs through the record as the songs investigate the deep ties we have to the pop culture that defined our youth. “I grew up listening to all this pop-punk and alt-rock that was mostly male-fronted, but I want to fill that hole I saw by recreating it now for myself,” says England. “I’m trying to capture the feeling of the music I listened to when I fell in love with music.”
Falling finds Dude York sounding bigger and more fully-realized than ever with hits that would feel perfectly at home sandwiched between Jimmy Eat World and Third Eye Blind in early 2000s alt-rock radio rotation, while somehow still sounding utterly their own. Peter Richards (guitar) and England (bass) share equal songwriting and lead vocal duties on this record, a significant change from their previous album, 2017’s Sincerely, on which England fronted only two songs. The duality of their songwriting and vocals compliment each other emotionally and sonically, with Andrew Hall’s harmonies and driving drums providing their own unique character in each song.
A line of nostalgia runs through the record as the songs investigate the deep ties we have to the pop culture that defined our youth. “I grew up listening to all this pop-punk and alt-rock that was mostly male-fronted, but I want to fill that hole I saw by recreating it now for myself,” says England. “I’m trying to capture the feeling of the music I listened to when I fell in love with music.”
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