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The only continuing member of the pioneering synthesizer group <a href="spotify:artist:1BGN1IdyiSR0ZYrkoKNchl">Tangerine Dream</a>, Edgar Froese also proved to be one of the most ambitious in releasing solo albums alongside the voluminous output of the band. Considered a master of the Mellotron, the early keyboard device (made famous by <a href="spotify:artist:5BcZ22XONcRoLhTbZRuME1">the Moody Blues</a>) that produced its sound through key-activated tape loops of actual recordings of orchestras, choirs, and other acoustic sounds. Though it still drew from <a href="spotify:artist:1BGN1IdyiSR0ZYrkoKNchl">TD</a>'s trademark sequencer sound, Froese's solo recordings had a more direct and personal quality, and often featured his penchant for rock-style guitar work.

Even while <a href="spotify:artist:1BGN1IdyiSR0ZYrkoKNchl">Tangerine Dream</a> was releasing career classics Phaedra and Rubycon during 1974-1975, Froese began his solo career with the two records Aqua and Epsilon in Malaysian Pale, quite similar in style to contemporary work by <a href="spotify:artist:1BGN1IdyiSR0ZYrkoKNchl">Tangerine Dream</a>. During the rest of the '70s, Froese released four more solo albums during <a href="spotify:artist:1BGN1IdyiSR0ZYrkoKNchl">TD</a>'s breaks, followed in 1983 by Pinnacles. By that point, Froese was the undisputed leader of <a href="spotify:artist:1BGN1IdyiSR0ZYrkoKNchl">Tangerine Dream</a> and could release material that would have appeared as solo work during the previous decade. The 1995 <a href="spotify:search:label%3A%22Virgin%22">Virgin</a> collection Beyond the Storm summed up his solo career. Edgar Froese died of a pulmonary embolism in Vienna in January 2015; he was 70 years old. ~ Linda Kohanov, Rovi

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