Last updated: 9 hours ago
Raised in a small village in the very north of the Netherlands and currently residing in Utrecht, Feitsma essentially contributed new nuances to the ever-increasing scene of piano-driven music - an instrument he started to sink his teeth into at an early age already - with his 2019 debut “Under". The album combined the timeless with the contemporary, offering an intense ride which instantly triggers a palette of emotions among the audience they weren’t aware they were hiding. The music of Joram Feitsma is an elaborate affair, it’s deeply heartfelt, it’s sensual, it’s ambivalent, it’s volatile, it’s stunningly beautiful - it’s a work of transience that’s here to stay with the power to emotionally destroy you in the best possible way.
– Sven Fortmann, Lodown Magazine
Plentiful in its exhortation, rich in its search for the meaning in emotion while the accompanying instrumentation seemingly feels restrained, poignant to the point of haunting intensity. The thing about experiencing "Stroom" is the sheer quality of detail. As if each note means something on its own, as if each piece occupies exactly the right time.
– Greg Fenton, Magazine Sixty, on Stroom
'The music sits somewhere between haunting melancholy and the aforementioned quest for life affirmation. Either way, the experience leaves an indelible, organic impression upon the listener like the music has in some way soundtracked a sequence of encounters.'
- Greg Fenton, Magazine Sixty, on Binne
– Sven Fortmann, Lodown Magazine
Plentiful in its exhortation, rich in its search for the meaning in emotion while the accompanying instrumentation seemingly feels restrained, poignant to the point of haunting intensity. The thing about experiencing "Stroom" is the sheer quality of detail. As if each note means something on its own, as if each piece occupies exactly the right time.
– Greg Fenton, Magazine Sixty, on Stroom
'The music sits somewhere between haunting melancholy and the aforementioned quest for life affirmation. Either way, the experience leaves an indelible, organic impression upon the listener like the music has in some way soundtracked a sequence of encounters.'
- Greg Fenton, Magazine Sixty, on Binne
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