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Boston native Kane Roberts became hooked on music at a young age and would eventually serve stints as guitarist for several high-profile rock acts, most notably <a href="spotify:artist:3EhbVgyfGd7HkpsagwL9GS">Alice Cooper</a>. Influenced by <a href="spotify:artist:776Uo845nYHJpNaStv1Ds4">Jimi Hendrix</a> and <a href="spotify:artist:36QJpDe2go2KgaRleHCDTp">Led Zeppelin</a>, Roberts was already forming bands in junior high school. After a very brief period attending Boston University, he was accepted at the New England Conservatory of Music, where he studied classical and jazz guitar for two and a half years. In New York, Roberts turned his attention back to rock-playing sessions and formed a band, Criminal Justice. In 1986, Roberts was enlisted to play for <a href="spotify:artist:3EhbVgyfGd7HkpsagwL9GS">Alice Cooper</a>, for whom he had done an opening gig the year before. During the late '80s, Roberts not only toured with <a href="spotify:artist:3EhbVgyfGd7HkpsagwL9GS">Cooper</a>, but co-wrote and arranged tracks for <a href="spotify:artist:3EhbVgyfGd7HkpsagwL9GS">Cooper</a>'s Constrictor, Trash, and Raise Your Fist and Yell albums. He also found time to release his self-titled solo debut in 1987. Leaving <a href="spotify:artist:3EhbVgyfGd7HkpsagwL9GS">Cooper</a>'s band in 1991 to pursue his solo career, Roberts released Saints & Sinners the same year, scoring a Top 40 hit with the single "Does Anybody Really Fall in Love Anymore?" (which was co-written with <a href="spotify:artist:6h2bWHWTJL38N8dqocVaif">Jon Bon Jovi</a> and <a href="spotify:artist:6uNjT2PKDfR7t48JKhajkh">Richie Sambora</a>). By the late '90s, Roberts had turned his attention to multimedia projects, including designing video games, computer graphics, artwork, and websites. ~ Tom Demalon, Rovi
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