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Experimental electronic music producer Klara Lewis constructs haunting, quasi-rhythmic pieces using field recordings, samples, and digital manipulation. Most of her releases, including 2014 debut Ett and Care, a 2018 collaboration with <a href="spotify:artist:3rmHfhqEmC3pO89AMSP7Wt">Simon Fisher Turner</a>, have appeared on respected Austrian label <a href="spotify:search:label%3A%22Editions+Mego%22">Editions Mego</a>.

The daughter of <a href="spotify:artist:2i8ynmFv4qgRksyDlBgi6d">Wire</a> bass player <a href="spotify:artist:1r5HEsRaurRrqtqhtYvgpN">Graham Lewis</a>, Klara grew up in Sweden and made tentative steps toward making music in 2009. She debuted with a self-released EP in 2012, filled with choppy, nearly industrial rhythms built from found sounds and effects. Two years later, all three of its tracks appeared as part of the <a href="spotify:search:label%3A%22Editions+Mego%22">Editions Mego</a> album Ett, which was quickly trailed by the four-track Msuic EP for <a href="spotify:artist:3IuyAl5gMAvYhn0VjRzC1g">Peder Mannerfelt</a>'s eponymous label. Another album for <a href="spotify:search:label%3A%22Editions+Mego%22">Editions Mego</a>, Too, arrived in 2016. A pair of its tracks involved input from <a href="spotify:artist:3rmHfhqEmC3pO89AMSP7Wt">Simon Fisher Turner</a>. Remixes for <a href="spotify:artist:4Ps6q34DtWOueT2tJtwE5l">Carmen Villain</a> and <a href="spotify:artist:6xgNzJAeEB8BTOSzcTO1EI">Factory Floor</a> were released in 2017, and a full-length collaboration with <a href="spotify:artist:3rmHfhqEmC3pO89AMSP7Wt">Fisher Turner</a>, Care, appeared in 2018. "Ingrid," a 20-minute composition built around a single cello loop, was issued in 2020. ~ James Pearce & Andy Kellman, Rovi

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