Last updated: 15 hours ago
Kyle Preston writes compositional ambient music for modern solitude, offering quiet classical meditations for where you are right now. He also writes organic, nature-based melodic ambient as <a href="spotify:artist:4rVHuv6o4o26lY2PPf7K9z" data-name="Harbor Rift">Harbor Rift</a>, cinematic orchestral music as <a href="spotify:artist:54nlXnXpQ3M7FngtJEd6yi" data-name="Rubric">Rubric</a>, gentle drone ambient as <a href="spotify:artist:39A9Z7cO09gDgVzEK8WYqP" data-name="A Quiet Glow">A Quiet Glow</a> and dark liminal music under the moniker <a href="spotify:artist:3Qk88tj2W62p0CIFhmz6K5" data-name="Her Eyes Were Green">Her Eyes Were Green</a>.
Based in Seattle and with a background in astronomy & astrophysics, his modern classical work is deeply grounded in scientific realism and a reverence for the natural world. His sonic blend of science and art can be heard in a growing list of short and feature-length films, apps, and video games — including the Apple iPad Award Winner and TIME Magazine game of the year <a href="spotify:album:6QMo5eP0NEEKSP9JKTeyB6" data-name="Prune (Original Game Soundtrack)">Prune (Original Game Soundtrack)</a> as well as the Apple Design Award finalist Hindsight. His music has been described as “otherworldly” by the Los Angeles Times and “minimalist in instrumentation but maximal in tension and emotion” by The New Yorker.
Based in Seattle and with a background in astronomy & astrophysics, his modern classical work is deeply grounded in scientific realism and a reverence for the natural world. His sonic blend of science and art can be heard in a growing list of short and feature-length films, apps, and video games — including the Apple iPad Award Winner and TIME Magazine game of the year <a href="spotify:album:6QMo5eP0NEEKSP9JKTeyB6" data-name="Prune (Original Game Soundtrack)">Prune (Original Game Soundtrack)</a> as well as the Apple Design Award finalist Hindsight. His music has been described as “otherworldly” by the Los Angeles Times and “minimalist in instrumentation but maximal in tension and emotion” by The New Yorker.
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