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Dame Moura Lympany was one of the first in an internationally successful group of female British piano virtuosos to emerge in the twentieth century. She was born in Saltash, Devon, in 1916. Lympany showed unusual promise at the keyboard during her childhood, and began her formal training at the Liège Conservatory, in Belgium. Upon her return to England, she received an Ada Lewis Scholarship enabling her to continue her studies at the Royal Academy of Music in London, as a pupil of Coviello. Her other tutors included Paul Weingarten, Mathilde Verne, and Edward Steuermann, and Tobias Matthay, the last-named exerting the strongest influence upon her playing style was exerted by the German-born pedagogue Tobias Matthay.

Lympany's first solo appearance took place when she was 12 -- she performed <a href="spotify:artist:6MF58APd3YV72Ln2eVg710">Mendelssohn</a>'s Piano Concerto No. 1 at Harrogate, Yorkshire. In 1938, the jury of the Ysaÿe Piano Competition in Brussels awarded her second prize after <a href="spotify:artist:21h8E3aA7a9mjcUHbLpjxf">Emil Gilels</a>, though she was rated more highly than <a href="spotify:artist:0eQTutigtSNq6DmsYU9hPS">Arturo Benedetti Michelangeli</a> and several other famous pianists. In 1940, Lympany gave the British premiere of <a href="spotify:artist:5WIoytpqi3VWoFSHnl49in">Aram Khachaturian</a>'s Piano Concerto in London. Always a pioneer of new works by British composers, she gave performances throughout the world of concertos by <a href="spotify:artist:65YhYi4Fz5Ibgq7ueev2Rm">Delius</a>, <a href="spotify:artist:0QzZLY6jZif9KbXnxaLIUV">John Ireland</a>, and <a href="spotify:artist:1AIfm213xdY7irbF9HC85T">Alan Rawsthorne</a>. Dame Moura Lympany's many acclaimed recordings include the first-ever complete cycle of <a href="spotify:artist:0Kekt6CKSo0m5mivKcoH51">Rachmaninov</a>'s Preludes. She had a huge repertoire, which included more than 50 concertos. In 1991, Queen Elizabeth II made her a Dame of the British Empire.

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456 tracks
1
24 Préludes, Op. 28: No. 4 in E Minor

24 Préludes, Op. 28: No. 4 in E Minor

Aug 18, 2014

125.7 million

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Chopin: 24 Preludes, Op. 28: No. 4 in E Minor

Chopin: 24 Preludes, Op. 28: No. 4 in E Minor

Jan 1, 1995

125.7 million

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24 Preludes, Op. 28: No. 4 in E Minor, Largo

24 Preludes, Op. 28: No. 4 in E Minor, Largo

Jan 1, 1958

125.7 million

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24 Preludes, Op. 28: No. 4 in E Minor

24 Preludes, Op. 28: No. 4 in E Minor

Aug 18, 2014

125.7 million

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24 Préludes, Op. 28: No. 7 in A Major

24 Préludes, Op. 28: No. 7 in A Major

Aug 18, 2014

25.6 million

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Chopin: 24 Preludes, Op. 28: No. 7 in A Major

Chopin: 24 Preludes, Op. 28: No. 7 in A Major

Jan 1, 1995

25.6 million

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24 Preludes, Op. 28: No. 7 in A Major, Andantino

24 Preludes, Op. 28: No. 7 in A Major, Andantino

Jan 1, 1958

25.6 million

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8
Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (Excerpt)

Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (Excerpt)

Jan 1, 1993

19.8 million

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Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune

Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune

Oct 13, 1995

14.2 million

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Mozart: Piano Sonata No. 11 in A Major, Op. 6 No. 2, K. 331 "Alla Turca": III. Allegretto. Turkish March

Mozart: Piano Sonata No. 11 in A Major, Op. 6 No. 2, K. 331 "Alla Turca": III. Allegretto. Turkish March

Oct 13, 1995

8.7 million

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