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Known for her ruminative and well-crafted folk-inflected songwriting, New Zealander Nadia Reid emerged in 2015 with the well-regarded <a href="spotify:album:44IdU9nj8Hvxot2NVCQbBM" data-name="Listen to Formation, Look for the Signs">Listen to Formation, Look for the Signs</a>, but it was her sophomore effort, 2017's award-winning <a href="spotify:album:634mCPTormgVNYXsBbYLKN" data-name="Preservation">Preservation</a>, that elicited acclaim both at home and abroad. She continued to perfect her deft blend of textural pop and country-leaning folk-rock on 2020's richly detailed <a href="spotify:album:3nz8jovd9m48kT4HnJLrUk" data-name="Out of My Province">Out of My Province</a>.
Nadia’s fourth album Enter Now Brightness feels different for her. It is an album, she says, of departure and questioning, that has reminded her how songwriting can be “the most useful thing to do with pain and joy and thoughts and feelings and anger.” That through music we can find great change. “I’m so much better off now that it exists,”she says. “Now feels like a new time.”
Nadia’s fourth album Enter Now Brightness feels different for her. It is an album, she says, of departure and questioning, that has reminded her how songwriting can be “the most useful thing to do with pain and joy and thoughts and feelings and anger.” That through music we can find great change. “I’m so much better off now that it exists,”she says. “Now feels like a new time.”
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