Nigel Rogers

Tenor Nigel Rogers led a highly colorful and varied music career, primarily singing in concerts and recitals, serving as a professor of music at the Royal College of Music, founding the choral ensemble Chiaroscuro and (as a late-comer) taking up conducting. Moreover, the early years of his career were spent in Germany, and his operatic debut came only in 1969. For all his multifaceted talents, though, he was above all a great singer.

Rogers was born in Wellington, Shropshire, England, on March 21, 1935. From 1953 to 1956, he studied music at Cambridge University (King's College), becoming a choral scholar. He had further studies privately at Rome and Milan, and from 1959 to 1961, he was enrolled at the Hochschule für Musik in Munich, where his most important teacher was <a href="spotify:artist:6zp4xVjpNvgoZwD85Gh9kz">Gerhard Hüsch</a>. From 1960 until 1964, Rogers sang in the early music Munich-based vocal quartet Studio der frühen Musik. Rogers returned to England in 1965, where he began his recording career, and four years later made his operatic debut in Amsterdam. He returned to Amsterdam on several subsequent occasions, including for his 1972 appearance as Poppea in <a href="spotify:artist:5iAhVgz6P8Nylxijb0C65v">Monteverdi</a>'s The Coronation of Poppea, under <a href="spotify:artist:0KmvC3SVTF02l4ueknQCsW">Gustav Leonhardt</a>.

Rogers served as professor of voice at London's Royal College of Music from 1978. The following year, he founded Chiaroscuro, a vocal ensemble devoted to early Italian music. In 1985, at age 50, Rogers made his conducting debut. He would go on to direct and perform in many choral works, such as <a href="spotify:artist:5HGksnSVY91s4g1SOHHACw">Alessandro Scarlatti</a>'s La gloria di primavera (1996). Rogers was still active in his seventies: at his 70th birthday concert in Wigmore Hall (May 3, 2005), he performed a range of solo works by <a href="spotify:artist:4SvufzzFIspMXEffOyXudT">Carissimi</a>, <a href="spotify:artist:5ZMpmJXUkD9Q1mV9cUHKmn">Stradella</a>, and others, with <a href="spotify:artist:23wxscxc5ZMWXyOf0xpSw6">Elizabeth Kenny</a> on theorbo and his wife, Lina Zilinskyte, on harpsichord.

Even his admirers will tell that while he possessed an attractive voice, it was not as creamy or warm as many other tenor voices, but Rogers wielded his instrument with all the dramatic and technical skills one could ever expect. Rogers was highly regarded in early music and Baroque repertory, with notable performances of works by <a href="spotify:artist:26CZyrNgtF9nzfUE8C8LFd">Machaut</a>, <a href="spotify:artist:1mhwtKvBm1ncoOrUtnQUgk">Dowland</a>, <a href="spotify:artist:3tMLo1k3iUo82coMLWXzxq">Purcell</a>, and many others. However, his repertory extended well beyond the Baroque period to take in music by <a href="spotify:artist:2p0UyoPfYfI76PCStuXfOP">Schubert</a>, <a href="spotify:artist:1JOQXgYdQV2yfrhewqx96o">Verdi</a>, and <a href="spotify:artist:7MJ1pB5d6Vjmzep2zQlorn">Britten</a>. Rogers made about 70 recordings during his career, spread over a range of labels, including <a href="spotify:search:label%3A%22Archiv%22">Archiv</a>, <a href="spotify:search:label%3A%22EMI%22">EMI</a>, and <a href="spotify:search:label%3A%22Teldec%22">Teldec</a>. Rogers passed away on January 19, 2022. ~ Robert Cummings, Rovi