Pino Palladino

Pino Palladino is a Welsh-born bassist, composer, and producer of Italian ancestry. Since beginning his professional career in the 1980s, he has become one of the most prolific and sought-after session bassists in most genres: his credits appear on more than 600 (and still counting) recordings. His technique was initially developed on a fretless Music Man StingRay bass, and later expanded to include fretted Fender Precision, six- and eight-string basses, and custom-made instruments. Palladino's playing style is notable for its addition of chords and lead lines, and he adds counter-melodies to the record-industry standard of playing rhythmically pulsed, low-end notes. During the '80s he played on decade-defining albums by <a href="spotify:artist:5KQMtyPE8DCQNUzoNqlEsE">Gary Numan</a>, <a href="spotify:artist:5dbuFbrHa1SJlQhQX9OUJ2">Don Henley</a>, <a href="spotify:artist:4bthk9UfsYUYdcFyqxmSUU">Tears for Fears</a>, and <a href="spotify:artist:4lxfqrEsLX6N1N4OCSkILp">Phil Collins</a>. During the '90s, his name graced albums and he played on tours with <a href="spotify:artist:01Ppu7N8uYJI8SAONo2YZA">Melissa Etheridge</a>, <a href="spotify:artist:1bdAJUX6JPsnYHbTl5jbk6">Joan Armatrading</a>, <a href="spotify:artist:0AD4odMWVQ2wUSlgxOB5Rl">Jeff Beck</a>, and <a href="spotify:artist:6PAt558ZEZl0DmdXlnjMgD">Eric Clapton</a>. After appearing on <a href="spotify:artist:336vr2M3Va0FjyvB55lJEd">D'Angelo</a>'s Voodoo in 2000, Palladino's neo-soul approach was noted and featured on recordings by <a href="spotify:artist:7IfculRW2WXyzNQ8djX8WX">Erykah Badu</a>, <a href="spotify:artist:2GHclqNVjqGuiE5mA7BEoc">Common</a>, <a href="spotify:artist:4jCbgl5Dmt3uOh8WRQfpPs">Bilal</a>, and <a href="spotify:artist:4l2MwXYwUDQKHcUXwCZjEz">Jose James</a>, to name just a few. In 2006 Palladino began a decade of touring with <a href="spotify:artist:67ea9eGLXYMsO2eYQRui3w">the Who</a> and appeared on both of their later studio outings. He also played on <a href="spotify:artist:0X380XXQSNBYuleKzav5UO">Nine Inch Nails</a>' Hesitation Marks and its tour in 2013, and played extensively as a member of <a href="spotify:artist:0hEurMDQu99nJRq8pTxO14">John Mayer</a>'s trio while working with <a href="spotify:artist:336vr2M3Va0FjyvB55lJEd">D'Angelo</a> on Black Messiah. In 2018, his playing appeared on simultaneously charting albums by <a href="spotify:artist:0u2FHSq3ln94y5Q57xazwf">Keith Urban</a>, <a href="spotify:artist:5y2Xq6xcjJb2jVM54GHK3t">John Legend</a>, <a href="spotify:artist:6eUKZXaKkcviH0Ku9w2n3V">Ed Sheeran</a>, and <a href="spotify:artist:6KImCVD70vtIoJWnq6nGn3">Harry Styles</a>. In 2021, he released Notes with Attachments, his first solo album, recorded in collaboration with producer/multi-instrumentalist <a href="spotify:artist:4LhV33vJvXmFGSM3m5RzUR">Blake Mills</a>.

Palladino was born in Cardiff, Wales to a Welsh mother and an Italian father. Deeply influenced by <a href="spotify:search:label%3A%22Motown%22">Motown</a>, <a href="spotify:artist:36QJpDe2go2KgaRleHCDTp">Led Zeppelin</a>, and jazz, he began playing classical guitar at age 14 but switched to bass at 17. He bought his first fretless bass at 18, playing mostly R&B, funk, and reggae, inspired by his primary -- and lasting -- influences including <a href="spotify:artist:4vwURaJqbdeHhDDEtEvW26">James Jamerson</a>, <a href="spotify:artist:1sLxxwNgZ9Yy7ENUbGfP3q">Danny Thompson</a>, and <a href="spotify:artist:6VAgIcGEQTpAOh7ZVXZG4a">Norman Watt-Roy</a>. He also adapted techniques and tricks from bassists he admired including <a href="spotify:artist:3U3C9o6UTYNdEsDckpRyvX">Jaco Pastorius</a>, <a href="spotify:artist:6lUcc15t11bnaPr2qOuFs2">Larry Graham</a>, Boosty Collins, and <a href="spotify:artist:6KzAnKswHOUCX8xiEudD7K">Michael Henderson</a>. For a short time, he played with singer Geraint Griffiths in Welsh indie folk band Hogia'r Docia, and issued a pair of singles. After moving to London, he auditioned for Jools Holland & His Millionaires and won a studio gig playing on their self-titled 1981 album. <a href="spotify:artist:5KQMtyPE8DCQNUzoNqlEsE">Gary Numan</a> heard Palladino's fretless approach while prepping his own demos and hired him to play bass on 1982's I, Assassin. Producer, engineer, arranger, and <a href="spotify:artist:7r993rArgKraCkh8w4Wszl">Ian Dury & the Blockheads</a>' member Laurie Latham worked on the <a href="spotify:artist:5KQMtyPE8DCQNUzoNqlEsE">Numan</a> sessions. Impressed by Palladino's playing, Latham hired him to back Paul Young on the 1982 album No Parlez. Its charting singles were all covers and included <a href="spotify:artist:3koiLjNrgRTNbOwViDipeA">Marvin Gaye</a>'s "Wherever I Lay My Hat (That's My Home)," <a href="spotify:artist:432R46LaYsJZV2Gmc4jUV5">Joy Division</a>'s "Love Will Tear Us Apart," and <a href="spotify:artist:7wCjDgV6nqBsHguQXPAaIM">Waylon Jennings</a>' "Love of the Common People." Palladino joined Young's touring band but continued to play recording sessions with many artists. In 1984, he traveled to Los Angeles to play on <a href="spotify:artist:5dbuFbrHa1SJlQhQX9OUJ2">Don Henley</a>'s smash album Building the Perfect Beast, and won a spot playing on <a href="spotify:artist:0k17h0D3J5VfsdmQ1iZtE9">Pink Floyd</a> guitarist <a href="spotify:artist:2FcC4sDMXme2ziI7tGKMK8">David Gilmour</a>'s solo outing About Face. A year later, Palladino was remarkably busy, playing with Young, <a href="spotify:artist:7bKupnlF7XOfR1En3K8oAL">Go West</a>, <a href="spotify:artist:1JVoO5bwfU8GNuAZLpBoHe">the Dream Academy</a>, <a href="spotify:artist:24Wa5wIZIo1sPkzVGP0B5p">Pete Townshend</a>, and <a href="spotify:artist:3PhoLpVuITZKcymswpck5b">Elton John</a>. By 1988, he was also a session bassist with <a href="spotify:artist:6mQfAAqZGBzIfrmlZCeaYT">Chaka Khan</a> and <a href="spotify:artist:1bdAJUX6JPsnYHbTl5jbk6">Joan Armatrading</a>. In 1989, he began to make a name for himself critically as he appeared on blockbuster recordings that included <a href="spotify:artist:5dbuFbrHa1SJlQhQX9OUJ2">Henley</a>'s End of the Innocence, <a href="spotify:artist:4lxfqrEsLX6N1N4OCSkILp">Phil Collins</a>' ...But Seriously, and <a href="spotify:artist:4bthk9UfsYUYdcFyqxmSUU">Tears for Fears</a>' The Seeds of Love.

Palladino also recorded and toured with <a href="spotify:artist:6UlNIFEuWlBqb4TvlVCekq">Kirsty MacColl</a> and joined <a href="spotify:artist:2gaWNB3YrlTc0KRlHNqhol">Paul Rodgers</a>' band <a href="spotify:artist:5XVZwUzjQ1gbMnxJjqHQY3">the Law</a>, playing in the rhythm section alongside drummer <a href="spotify:artist:1YqGsKpdixxSVgpfaL2AEQ">Small Faces</a>/<a href="spotify:artist:67ea9eGLXYMsO2eYQRui3w">Who</a> drummer <a href="spotify:artist:57an2MaFNGGCWGF9oP7zDE">Kenney Jones</a>; they issued a self-titled debut album in 1991. Palladino was also experimenting with new techniques and instruments. He began alternating between fretless bass and fretted four- and six-string basses, adding a different depth and dimension to his already individual sound. (That evolution eventually resulted in endorsement offers and signature custom-made basses from various instrument manufacturers.) His experimentation also resulted in work with a wider variety of artists including <a href="spotify:artist:6PAt558ZEZl0DmdXlnjMgD">Eric Clapton</a>, <a href="spotify:artist:0AD4odMWVQ2wUSlgxOB5Rl">Jeff Beck</a>, and <a href="spotify:artist:01Ppu7N8uYJI8SAONo2YZA">Melissa Etheridge</a> (her historic 1993 album Yes I Am prominently featured his bass playing). At the same time, Palladino was working in-studio with jazz drummer <a href="spotify:artist:4HVFb71ZSXO6nRMk2pdPsy">Manu Katché</a>, pop singer <a href="spotify:artist:24hJWbo98sH84tb0nkeaqy">Michael McDonald</a>, and French nouvelle chanson star <a href="spotify:artist:6ogXCiVOaz2afPmMNHph7Z">Laurent Voulzy</a>.

1994 proved an important year for Palladino. He worked with <a href="spotify:artist:6ryjbFyWBZho9KGXqKZdqQ">Bob James</a> for the first time on Restless, with <a href="spotify:artist:5RNFFojXkPRmlJZIwXeKQC">Bryan Ferry</a> on Mamouna, <a href="spotify:artist:3bBWKHfpepPOychRNFzg4q">Al Di Meola</a> on Orange and Blue, and most notably on <a href="spotify:artist:5GtMEZEeFFsuHY8ad4kOxv">Seal</a>'s iconic self-titled debut album. The bassist spent the next several years branching out into theatrical pop with composer <a href="spotify:artist:68bqsIINo5RFICYwbkChbb">Michael Kamen</a>, spacy prog with Rick Wright, jazz with <a href="spotify:artist:3eFo5fMv53RYZBYlvT5Z6a">Chris Botti</a> and <a href="spotify:artist:4v0R1feRiuCDch7aAheVhY">John McLauglin</a>, and highly stylized pop with <a href="spotify:artist:5xWPOujQqd4wXyB08slZ9Z">Peter Cetera</a>. In 1997, at <a href="spotify:artist:6PAt558ZEZl0DmdXlnjMgD">Clapton</a>'s suggestion, Palladino was hired as a session player for <a href="spotify:artist:5xLSa7l4IV1gsQfhAMvl0U">B.B. King</a>'s star-studded duets album Deuces Wild. One of the selections he played on was the NOLA R&B standard "Ain't Nobody Home" with old friend and fellow session player <a href="spotify:artist:53XJ4BIv6iblv2Osdpp5ls">Steve Jordan</a> on drums and with horns arranged by the legendary <a href="spotify:artist:65yFPOq8Tx77FrT8RkBtxd">Wardell Quezergue</a>. <a href="spotify:artist:5xLSa7l4IV1gsQfhAMvl0U">King</a>'s duet partner on the track was <a href="spotify:artist:336vr2M3Va0FjyvB55lJEd">D'Angelo</a>, who was knocked out by Palladino's fluid, meaty, emotional neo-soul approach. In a year full of other high-profile sessions with <a href="spotify:artist:48NRGRV9MmSBScnKTLztSt">Phil Manzanera</a>, <a href="spotify:artist:6tOL5L1TlmBLdFMeEoXgae">Ofra Haza</a>, and <a href="spotify:artist:4S9EykWXhStSc15wEx8QFK">Celine Dion</a>, his appearance on Deuces Wild resulted in <a href="spotify:artist:336vr2M3Va0FjyvB55lJEd">D'Angelo</a> asking him to participate in the sessions for his long-incubated second album, Voodoo, which eventually saw the light of day in 2000 and won a Grammy the following year.

Palladino established new relationships during those sessions; he played alongside drummer Ahmir Thompson (aka <a href="spotify:artist:1h2OVSKRdJHnVqyCKqCLkf">Questlove</a>) and trumpeter <a href="spotify:artist:49zXTngyUTielHTbbH5YKs">Roy Hargrove</a> -- both would become future collaborators. Palladino's playing deeply moved Thompson, who recommended him to his peers. Palladino went straight from those sessions to <a href="spotify:artist:7IfculRW2WXyzNQ8djX8WX">Erykah Badu</a>'s for Mama's Gun, using many of the same players. He also played on records by <a href="spotify:artist:1Z8ODXyhEBi3WynYw0Rya6">De La Soul</a>, <a href="spotify:artist:3UVRliakQfa1pMWIsNuiZ8">Musiq Soulchild</a>, <a href="spotify:artist:2GHclqNVjqGuiE5mA7BEoc">Common</a>, and <a href="spotify:artist:1HGTHrRQkw0BtevSo1jucU">Richard Ashcroft</a>.

Palladino's career was in full bloom. Not only had he retained his working relationships with almost everyone from the past, but he was forming new ones at a fast pace. <a href="spotify:artist:6kgrtA0dlnVpWB6zjpXrRb">Femi Kuti</a> had heard the Voodoo sessions and hired him for Fight to Win; he was also drafted by producer <a href="spotify:artist:5cM1PvItlR21WUyBnsdMcn">Robert Glasper</a> to play on Bilal Oliver's seminal debut 1st Born Second, and contributed to <a href="spotify:artist:6vUjpCAR58MB3Jq2TsKUmK">Nikka Costa</a>'s Everybody Got Their Something and <a href="spotify:artist:2y8Jo9CKhJvtfeKOsYzRdT">Rod Stewart</a>'s Human. In 2002, <a href="spotify:artist:5cHmjJA9Lo0ga8s8QdxEzs">Terry Callier</a> made a comeback after decades away and chose Palladino as his bassist for the <a href="spotify:artist:1BlBZ9jQGOjmj6Zykgg43L">4Hero</a>-produced Speak Your Peace. <a href="spotify:artist:67ea9eGLXYMsO2eYQRui3w">Who</a> bassist <a href="spotify:artist:3NCzK7DcNxRgtTF4BCEjvr">John Entwistle</a> died just two days before the beginning of a U.S. tour in 2002. <a href="spotify:artist:24Wa5wIZIo1sPkzVGP0B5p">Townshend</a> called Palladino and he joined the touring band, playing with them for 14 years.

In 2003 the Voodoo sessions kept on impressing musicians, and <a href="spotify:artist:49zXTngyUTielHTbbH5YKs">Hargrove</a> hired Palladino to play in his jazz-funk outfit RH Factor for the album Hard Groove. He also played on <a href="spotify:artist:2DzRMyWgjuMbYvt5BLbpCo">Anthony Hamilton</a>'s Comin' from Where I'm From and on <a href="spotify:artist:70cRZdQywnSFp9pnc2WTCE">Simon & Garfunkel</a>'s live reunion Old Friends. A year later Palladino worked with <a href="spotify:artist:6PAt558ZEZl0DmdXlnjMgD">Clapton</a> on his Robert Johnson tribute Me and Mr. Johnson. Over the next two years, he did session work, but was on the road far more. In January 2005 session drummer and old friend <a href="spotify:artist:53XJ4BIv6iblv2Osdpp5ls">Steve Jordan</a> (who also appeared on <a href="spotify:artist:5xLSa7l4IV1gsQfhAMvl0U">King</a>'s Deuces Wild and Voodoo) recommended Palladino to <a href="spotify:artist:0hEurMDQu99nJRq8pTxO14">John Mayer</a> as a replacement for bassist Willie Weeks, who couldn't make the gig at Tsunami Aid: A Concert of Hope. Their chemistry worked so well that they toured together as the <a href="spotify:artist:68xuC1qXRhCUvGd4SSM655">John Mayer Trio</a> and recorded Try! John Mayer Trio Live in Concert. In 2006 Palladino played on <a href="spotify:artist:6PAt558ZEZl0DmdXlnjMgD">Clapton</a> and <a href="spotify:artist:06nsZ3qSOYZ2hPVIMcr1IN">J.J. Cale</a>'s Road to Escondido and on their tour; he also worked the road with <a href="spotify:artist:0AD4odMWVQ2wUSlgxOB5Rl">Jeff Beck</a>, played on <a href="spotify:artist:2CvCyf1gEVhI0mX6aFXmVI">Paul Simon</a>'s hit Surprise, and on Endless Wire, <a href="spotify:artist:67ea9eGLXYMsO2eYQRui3w">the Who</a>'s first studio album in a quarter-century.

Over the next few years Palladino worked extensively with <a href="spotify:artist:0hEurMDQu99nJRq8pTxO14">Mayer</a>, appearing on his third and fourth studio albums, Continuum and Battle Studies. He also played on <a href="spotify:artist:5GtMEZEeFFsuHY8ad4kOxv">Seal</a>'s second album, worked with <a href="spotify:artist:4HVFb71ZSXO6nRMk2pdPsy">Katché</a>'s <a href="spotify:search:label%3A%22ECM%22">ECM</a> studio band, played on <a href="spotify:artist:5nLYd9ST4Cnwy6NHaCxbj8">CeeLo Green</a>'s The Lady Killer, and, on the indie side, with U.K. acts <a href="spotify:artist:1O7aMVbDeSXY2LiVBhb13w">the Herbaliser</a> and electro-hip-hop progenitor <a href="spotify:artist:1aStXP3F92SgdczG1gx1Mp">IG Culture</a>. Palladino managed to find time to form a live trio with drummer <a href="spotify:artist:1RfvxlrK4J6VgDRJ8GligC">Simon Phillips</a> and keyboardist Phillipe Saisse. In January of 2011, he re-entered the studio with <a href="spotify:artist:336vr2M3Va0FjyvB55lJEd">D'Angelo</a> to finish tracking his third album, The Black Messiah, though it didn't appear for another three years.

In 2012 and 2013, Palladino was on the road almost constantly. He did find time for some studio recording and guested on the <a href="spotify:artist:2BGRfQgtzikz1pzAD0kaEn">Elvis Costello</a> & <a href="spotify:artist:78xUyw6FkVZrRAtziFdtdu">the Roots</a> collaboration Wise Up Ghost & Other Songs; he played on and co-produced <a href="spotify:artist:4l2MwXYwUDQKHcUXwCZjEz">Jose James</a>' No Beginning No End, appeared on <a href="spotify:artist:0X380XXQSNBYuleKzav5UO">Nine Inch Nails</a>' Hesitation Marks, and joined the band on tour before returning to work with <a href="spotify:artist:67ea9eGLXYMsO2eYQRui3w">the Who</a>. The following year, Palladino played with <a href="spotify:artist:08avsqaGIlK2x3i2Cu7rKH">Keith Richards</a> on Crosseyed Heart and was credited with appearances on the restored and once-thought-apocryphal The Diary of J Dilla from recordings made during the early 2000s. Palladino also marked his first collaboration with country star <a href="spotify:artist:0u2FHSq3ln94y5Q57xazwf">Keith Urban</a> on Ripcord, and played on saxophonist <a href="spotify:artist:6de0V6wLyRKp3I2LDMrXCr">Markus Strickland</a>'s <a href="spotify:search:label%3A%22Blue+Note%22">Blue Note</a> debut, Nihil Novi, and on <a href="spotify:artist:5y2Xq6xcjJb2jVM54GHK3t">John Legend</a>'s Darkness and Light.

In 2017, Palladino spent so much time in recording studios he could have used them as mailing addresses. His list of album and credits for the year include <a href="spotify:artist:6jJ0s89eD6GaHleKKya26X">Katy Perry</a>, <a href="spotify:artist:0hEurMDQu99nJRq8pTxO14">Mayer</a>, <a href="spotify:artist:6eUKZXaKkcviH0Ku9w2n3V">Ed Sheeran</a>, <a href="spotify:artist:2ueoLVCXQ948OfhVvAy3Nn">Perfume Genius</a>, <a href="spotify:artist:7bcbShaqKdcyjnmv4Ix8j6">St. Vincent</a>, and jazzman <a href="spotify:artist:4JG781pl96pL2h0AoERgOA">Keyon Harrold</a>. He spent 2018 the same way, working on Graffiti U with <a href="spotify:artist:0u2FHSq3ln94y5Q57xazwf">Urban</a>, <a href="spotify:artist:5xQKoGD7Ql92fWd1uWwKkf">Steve Perry</a>'s comeback album Traces, <a href="spotify:artist:4l2MwXYwUDQKHcUXwCZjEz">James</a>' <a href="spotify:artist:1ThoqLcyIYvZn7iWbj8fsj">Bill Withers</a> tribute Lean on Me, <a href="spotify:artist:55U998XxmxjicLMKDSz6R3">Bettye Lavette</a>'s Things Have Changed, Chris Dave & the Drumhedz, and on Beninese jazz guitar great <a href="spotify:artist:6q6EXv5ybArXqifMdmTIig">Lionel Loueke</a>'s The Journey. Palladino also began working with <a href="spotify:artist:6KImCVD70vtIoJWnq6nGn3">Harry Styles</a>, appearing prominently on 2019's Watermelon Sugar. He resumed his working relationship with <a href="spotify:artist:67ea9eGLXYMsO2eYQRui3w">the Who</a>, not to tour but to play on their studio outing Who and on studio dates with <a href="spotify:artist:5R6GD31ZP8YPGIlt73Madf">Robbie Robertson</a> and <a href="spotify:artist:0QWrMNukfcVOmgEU0FEDyD">Jacob Collier</a>.

Though 2020 was marked by the isolation of the global COVID-19 pandemic, Palladino doggedly kept working. He added bass tracks to albums by <a href="spotify:artist:6cXMpsP9x0SH4kFfMyVezF">Josh Groban</a>, <a href="spotify:artist:09yvLritEUxHrzx5TlFvbl">Margo Price</a>, and <a href="spotify:artist:0u2FHSq3ln94y5Q57xazwf">Urban</a> among others. Most importantly, he began developing and recording his debut solo album with co-producer and multi-instrumentalist <a href="spotify:artist:4LhV33vJvXmFGSM3m5RzUR">Blake Mills</a>. The set evolved from the bassist playing <a href="spotify:artist:4LhV33vJvXmFGSM3m5RzUR">Mills</a> his ideas and waiting for his musical reaction. As the session process evolved over the next several months, Palladino's ideas and <a href="spotify:artist:4LhV33vJvXmFGSM3m5RzUR">Mills</a>' layered responses resulted in a full collaboration. The sessions also included contributions from <a href="spotify:artist:6de0V6wLyRKp3I2LDMrXCr">Strickland</a>, Dave, <a href="spotify:artist:4uSftVc3FPWe6RJuMZNEe9">Andrew Bird</a>, <a href="spotify:artist:6wTD4jLsPadWutQ9nJvzT6">Larry Goldings</a>, <a href="spotify:artist:5Stfdr5cRd6Gg9OMYmLR9Y">Ted Poor</a>, Rob Moose, and <a href="spotify:artist:3luuQQRuSBuDNnrkYvatnk">Sam Gendel</a>. The finished eight-track instrumental set was titled Notes with Attachments and released in March 2021. ~ Thom Jurek, Rovi