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Quaker City Night Hawks has spent the last few years traveling the country in support of their Lightning Rod Records debut, <a href="spotify:album:62UCTVNpAhCrmRMf4knpvS" data-name="El Astronauta">El Astronauta</a>, an album that mixed the greasy strut of 1970s rock with doses of down-and-dirty Texas blues, science fiction, and Bible Belt boogie. The guys are Texans by birth, but their music’s whipped up its own geography. With its spacey, southern stomp, El Astronauta could&#39;ve been the soundtrack for a road trip across the American desert…or even the house music for a weekend night at the Mos Eisley Cantina. Noisey said “this ragtag bunch of boundary-pushers is likely to appeal to fans of Fu Manchu and Tom Waits in equal measure,” and Rolling Stone proclaimed Quaker City Night Hawks songs “fly in the face of mainstream rules.”

The band’s newest album, QCNH, is tied together in more ways than one. Recorded at Niles City Sound, in the band&#39;s hometown of Fort Worth, the album weaves a handful of signature riffs and melodies throughout multiple songs, filling the tracklist with a common strand of musical DNA. The result is a boldly heterogeneous album that still functions as a cohesive whole, produced by Austin Jenkins and Josh Block, and performed by a group of road warriors who smartly balance their strengths — Anderson and Matsler&#39;s hook-driven songwriting; drummer Aaron Haynes raw rhythm; the band&#39;s blend of Tex-Mex desert rock and street-smart, big-city bombast — with their desire to explore and experiment.

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