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Sam Jones, a greatly in-demand bassist who often teamed up with drummer <a href="spotify:artist:5Ouogjg668pTmPkpgI8z0L">Louis Hayes</a>, was also a talented jazz cello soloist. He always took advantage of the fairly rare opportunities he had to lead sessions to create memorable music. He played with <a href="spotify:artist:70sHURBVOq2rwWkmBpDxYa">Tiny Bradshaw</a> (1953-1955), moved to New York in 1955 and worked with the groups of <a href="spotify:artist:2fMvylhnE23sAlyePKK8er">Kenny Dorham</a>, <a href="spotify:artist:5v74mT11KGJqadf9sLw4dA">Cannonball Adderley</a> (1957), <a href="spotify:artist:5RzjqfPS0Bu4bUMkyNNDpn">Dizzy Gillespie</a> (1958-1959), and <a href="spotify:artist:4PDpGtF16XpqvXxsrFwQnN">Thelonious Monk</a>, among others. While a member of <a href="spotify:artist:5v74mT11KGJqadf9sLw4dA">Cannonball Adderley</a>'s very successful quintet (1959-1965), Jones wrote such originals as "Unit 7" and "Del Sasser" and led three highly recommended albums for Riverside during 1960-1962 (all have been reissued in the OJC series) that featured some of his finest cello playing. Sam Jones was with <a href="spotify:artist:6zkX5fhrSD4tdVOmimR9wB">the Oscar Peterson Trio</a> (as <a href="spotify:artist:0SvD7DL5CQTbcrMtns1US8">Ray Brown</a>'s first replacement) during 1966-1970 and then freelanced for the remainder of his life, making many recordings, including albums of his own for East Wind (1974), Xanadu, Muse, Inner City, SteepleChase, Interplay, and SeaBreeze. ~ Scott Yanow, Rovi
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