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Influenced by psychedelia and California rock, pop/rock producer <a href="spotify:artist:3ZMUNnwvFihTTyI1tx5hao">Curt Boettcher</a> (<a href="spotify:artist:2kuNswDC82PL9xRbfaZJaS">the Association</a>) decided to assemble a studio supergroup who would explore progressive sounds in 1968. Millennium's resultant album would find no commercial success and only half-baked artistic success, but nonetheless retains some period charm. Influenced in roughly equal measures by <a href="spotify:artist:2kuNswDC82PL9xRbfaZJaS">the Association</a>, <a href="spotify:artist:1bs7HoMkSyQwcobCpE9KpN">the Mamas and the Papas</a>, the Smile-era <a href="spotify:artist:3oDbviiivRWhXwIE8hxkVV">Beach Boys</a>, <a href="spotify:artist:3RTzAwFprBqiskp550eSJX">Nilsson</a>, <a href="spotify:artist:382aCtCMEd2Rg2DmcU9xw9">the Left Banke</a>, and <a href="spotify:artist:1UUYAQ9LiRsZF0ZukQNWXM">the Fifth Dimension</a>, Boettcher and his friends came up with a hybrid that was at once too unabashedly commercial for underground FM radio and too weird for the AM dial. It would have fit in better on the AM airwaves, though; the almost too-cheerful sunshine harmonies and catchy melodies dominate the suite-like, diverse set of elaborately produced '60s pop/rock tunes. ~ Richie Unterberger, Rovi
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