Sagittarius

Although it only reached number 70 in the national charts, Sagittarius' 1967 single "My World Fell Down" is one of the great experimental psychedelic pop gems of the era. Sounding very much like a lost <a href="spotify:artist:3oDbviiivRWhXwIE8hxkVV">Beach Boys</a> classic from the "Good Vibrations"/SMiLE era, the record had beautiful California pop harmonies, exquisite symphonic orchestration, and a downright avant-garde middle section of carnival and bullfight noises. It was perhaps too weird to become the Top 40 smash it deserved to be, but in any case, Sagittarius would have had a difficult time launching a successful career, as the group didn't really exist. It was a studio project of noted producer <a href="spotify:artist:4hvks1MBaJwnMtJYHqA5fh">Gary Usher</a>, who wrote several great <a href="spotify:artist:3oDbviiivRWhXwIE8hxkVV">Beach Boys</a> songs with <a href="spotify:artist:4Q82S0VzF8qlCb4PnSDurj">Brian Wilson</a> and produced classic albums by <a href="spotify:artist:1PCZpxHJz7WAMF8EEq8bfc">the Byrds</a>.

<a href="spotify:artist:23zg3TcAtWQy7J6upgbUnj">Usher</a> made the recordings that came out under the Sagittarius name in his spare time, with help from such prominent friends as <a href="spotify:artist:3oDbviiivRWhXwIE8hxkVV">Beach Boy</a> <a href="spotify:artist:0yiSGGu3grpaH56F9znIeU">Bruce Johnston</a> and <a href="spotify:artist:59hLmB5DrdihCYtNeFeW1U">Glen Campbell</a> (who sings lead on the "My World Fell Down" single). The most important of <a href="spotify:artist:23zg3TcAtWQy7J6upgbUnj">Usher</a>'s associates, however, was fellow songwriter/producer/singer <a href="spotify:artist:3ZMUNnwvFihTTyI1tx5hao">Curt Boettcher</a>, who has a cult following of his own for the sunshiny California pop with a touch of psychedelia that he produced during the era, especially as part of <a href="spotify:artist:2C49JSiNeHN0xwLQCohpyY">the Millennium</a>. <a href="spotify:artist:3ZMUNnwvFihTTyI1tx5hao">Boettcher</a> wrote and sang much of the material that ended up on Sagittarius' 1968 <a href="spotify:search:label%3A%22Columbia%22">Columbia</a> album, Present Tense. Unlike the "My World Fell Down" single (included on the LP in a brutally edited version), the album wasn't reminiscent of <a href="spotify:artist:3oDbviiivRWhXwIE8hxkVV">the Beach Boys</a> at their best and most progressive. It was California good-time pop with a mild dab of psychedelia, relentlessly and sometimes annoyingly cheerful, although immaculately crafted and produced, particularly in the layered harmony vocals. Not as commercial as <a href="spotify:artist:2kuNswDC82PL9xRbfaZJaS">the Association</a> (with whom <a href="spotify:artist:3ZMUNnwvFihTTyI1tx5hao">Boettcher</a> also worked), it still had a lot more in common with <a href="spotify:artist:2VIoWte1HPDbZ2WqHd2La7">the Turtles</a> and <a href="spotify:artist:1bs7HoMkSyQwcobCpE9KpN">the Mamas & the Papas</a> than Pet Sounds or <a href="spotify:artist:1PCZpxHJz7WAMF8EEq8bfc">the Byrds</a>. Although it only sold in the neighborhood of 40,000 to 50,000 copies, the record has a cult following, and has been reissued several times, usually with numerous bonus tracks. ~ Richie Unterberger, Rovi