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As on Glory, inspiration from <a href="spotify:artist:6Lt3HS8R2v8Q4G7ZkUWa8R" data-name="Syd Barrett">Syd Barrett</a>, Dylan, <a href="spotify:artist:0gdggS1jCNKXzFbUcOsotf" data-name="Nikki Sudden">Nikki Sudden</a> and kindred spirit <a href="spotify:artist:1AcMngBo2RJdnnciklA9Cx" data-name="Peter Perrett">Peter Perrett</a> of <a href="spotify:artist:16VudBYGOd9sMpOtA0szfp" data-name="The Only Ones">The Only Ones</a> was at work, but the Molochs are endlessly ravenous when it comes to things to read and listen to and learn from. On Flowers they’d refine and recombine their sound, working in that long tradition of poets who cover (or discover) themselves in pop songs. “To Kick In A Lover’s Door” blows Flowers open with the wit and precision of the <a href="spotify:artist:4HCubdy7diarb4KZo8etrq" data-name="The Go-Betweens">The Go-Betweens</a> and “I Wanna Say To You” draws more from some of Creation Records' dreamiest dreamers than it does from any esoteric 60s howlers. “Flowers In The Spring” and “Pages Of Your Journal” could be two lost <a href="spotify:artist:1SQRv42e4PjEYfPhS0Tk9E" data-name="The Kinks">The Kinks</a> singles from two different Kinks eras—that Ray Davies-ian venom stays the same, of course—and the charming/disarming “Too Lost In Love” makes feeling down sound like cheering up, just like <a href="spotify:artist:6LRmgzRManplPQghd2BMqz" data-name="The Clean">The Clean</a> did. -C. Ziegler
Monthly Listeners
1,066
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Followers
3,763
Followers History
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Total Streams
1.2 million
Total Streams History
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