Tinkerbelles

Much of two-piece band Tinkerbelles&#39; work since originating in 2013 from Sargent House’s personae non gratae band, <a href="spotify:artist:4tPspg7lcww5Ff2uzspGyx" data-name="Gypsyblood">Gypsyblood</a>, has revolved around concepts that seem to grow organically out of a single stem rather then the conventional and uninspired.

The Chicago-based Tinkerbelles, which lists bands like <a href="spotify:artist:2i8ynmFv4qgRksyDlBgi6d" data-name="Wire">Wire</a>, <a href="spotify:artist:1WvziZcLLYLoMMdmQx7qcN" data-name="The Shangri-Las">The Shangri-Las</a>, <a href="spotify:artist:2og3FOCLYXT9H7IYE6QPUq" data-name="Lightning Bolt">Lightning Bolt</a> and <a href="spotify:artist:6LRmgzRManplPQghd2BMqz" data-name="The Clean">The Clean</a> as influences, drew its name from the eponymous Andy Warhol Superstar who committed suicide in 1986 when the proverbial party had stopped, a gesture echoing the band’s prolific use of pop culture and collapse. Adam James Mohundro (bass/vocals) and Peter Christian Dawson’s (drums/vocals) &quot;in-the-audience&quot; style live performances reflect the duo’s rebellious sensibility and fascination with impulse and élan; evidenced even further in 2015’s &quot;40 Walls Tour&quot;, consisting of a World Record attempt at 40 shows in 10 days across 8 states; soon to be witnessed in, &quot;Tinkerbelles: 40 Walls Tour&quot;, a feature length, multimedia documentary coming out in 2021.

With the announcement of 2019’s Deadly Dangerous Tigers, a year in which each performance culminated in a different socio-structural art installation and the Chicago Reader dubbing them &quot;A postpunk duo who make big, catchy songs without even seeming to try&quot;, their work continues to reflect a clear joy in performing and distinctive style not only to entertain, but to remain a refreshing new voice in American music.