Last updated: 7 hours ago
"Not that there really is a representative Tombstone In Their Eyes sound, but opening their latest album, Asylum Harbour, with their recent single, “In Your Eyes,” is a great move. Somewhere in its claustrophobic density, its lysergic radiance, and its abrasive-sweet psych-gaze ebbs and flows, you at least realize what you are getting into here and, more importantly, just how unique and exploratory the band is". Dave Franklin/The Big Takeover
"Tombstones create walls of sound that are simultaneously sonorous and hazy. These are cavernous, stoner lullabies that descend into post-rock soundscapes and are wrapped in dark shoegazing dreamscapes." (Broadway World)
Tombstones In Their Eyes’ is John Treanor (guitar, vocals, keyboards, songwriter), Nic Nifoussi (bass), Paul Boutin (guitar), Phil Cobb (guitar), Courtney Davies (vocals), Clea Cullen (vocals), Stephen Striegel (drums/percussion) and usually Paul Roessler on keys/backing vox.
"Tombstones In Their Eyes play a particularly American form of shoegaze, and a particularly SoCal variant at that. They bring out the dirty, distorted, deranged, drug-addled amplifier worship of proto-Shoegaze acts like Dinosaur Jr., Husker Du, and The Jesus and Mary Chain inherent of the early Shoegaze classics and arc-welds them to some Josh Homme‘s Desert Sessions creosote-soaked psych rock." (The Emerald Tablet Collective)
"Tombstones create walls of sound that are simultaneously sonorous and hazy. These are cavernous, stoner lullabies that descend into post-rock soundscapes and are wrapped in dark shoegazing dreamscapes." (Broadway World)
Tombstones In Their Eyes’ is John Treanor (guitar, vocals, keyboards, songwriter), Nic Nifoussi (bass), Paul Boutin (guitar), Phil Cobb (guitar), Courtney Davies (vocals), Clea Cullen (vocals), Stephen Striegel (drums/percussion) and usually Paul Roessler on keys/backing vox.
"Tombstones In Their Eyes play a particularly American form of shoegaze, and a particularly SoCal variant at that. They bring out the dirty, distorted, deranged, drug-addled amplifier worship of proto-Shoegaze acts like Dinosaur Jr., Husker Du, and The Jesus and Mary Chain inherent of the early Shoegaze classics and arc-welds them to some Josh Homme‘s Desert Sessions creosote-soaked psych rock." (The Emerald Tablet Collective)
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