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One of England's most popular DJs even before his premature death in 1998, Tony De Vit's brand of sleek, trancey hi-NRG house enlivened Britain's dance scene during the mid-'90s, due to his residencies (at the club Trade and on London's Kiss FM) and his respected labels, Jump Wax and TDV. While working full-time as stock control manager for a thermal-insulation factory beginning in the mid-1970s (and lasting well into the 1990s), De Vit began moonlighting as a DJ on the gay club circuit in 1978. He continued to play around the country during the 1980s, and in 1992 began a residency at the after-hours club Trade. There, De Vit's meld of Belgian-hoover trance and nu-style disco became popular with an underground gay audience usually attracted to the more mainstream side of dance.

By the mid-'90s, De Vit had added several DJ awards to his shelf and gained a spot on Kiss FM (after <a href="spotify:artist:19SmlbABtI4bXz864MLqOS">Carl Cox</a> and <a href="spotify:artist:1PaP6h3jtpFHNpHWsCF4Zo">Judge Jules</a> departed for Radio One). He also began producing, with the singles "Burning Up" and "To the Limit." Both hit the British Top 40 and sparked a heavy remix schedule for De Vit and recording partner Simon Parkes, including <a href="spotify:artist:6lOC7lwSO1ql4Gc2Y3QObY">East 17</a>, <a href="spotify:artist:095aE5NoWPQE5pOYuNJXJD">Michelle Gayle</a> and Louise. During 1996-97, De Vit formed his own labels (Jump Wax and TDV) and released two volumes in the Global Underground mix series. His major-label debut Trade documented a night out at his most famed club, and even earned American release through Priority. In 1998, at the peak of his fame, De Vit died of bronchial failure while at a Birmingham hospital. ~ John Bush, Rovi

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