Van Der Graaf Generator

An eye-opening trip to San Francisco's Haight-Ashbury during the summer of 1967 inspired British-born drummer Chris Judge Smith to compose a list of possible names for the rock group he wished to form. Upon his return to Manchester University, he began performing with singer/songwriter <a href="spotify:artist:7uBH52YnXUbJ0ssoyNqQTB">Peter Hammill</a> and keyboardist Nick Peame; employing one of the names from Judge Smith's list, the band dubbed itself Van der Graaf Generator (after a machine that creates static electricity), eventually earning an intense cult following as one of the era's preeminent art rock groups.

Despite the early involvement of Judge Smith and Peame, the group found true success as a vehicle for <a href="spotify:artist:7uBH52YnXUbJ0ssoyNqQTB">Hammill</a>, whose dark, existentialist lyrics made him the focus of considerable attention. After the release of the 1968 single "People You Were Going To," Judge Smith left Van der Graaf Generator, which by then consisted of <a href="spotify:artist:7uBH52YnXUbJ0ssoyNqQTB">Hammill</a>, keyboardist Hugh Banton, bassist Keith Ellis, and drummer Guy Evans. The group soon split, and in 1968 <a href="spotify:artist:7uBH52YnXUbJ0ssoyNqQTB">Hammill</a> entered the studio, ostensibly to record a solo album; however, he ultimately called in his ex-bandmates for assistance, and when The Aerosol Grey Machine appeared, it did so under the Van der Graaf Generator name.

Although Ellis was replaced by <a href="spotify:artist:1OPKp3KnSPSFB9uqpfsnT6">Nic Potter</a> and woodwind player <a href="spotify:artist:7qiozhwvnBwz1t082JIBNV">David Jackson</a>, the reconstituted group continued on for 1969's Least We Can Do Is Wave to Each Other. After 1970's H to He, Who Am the Only One, <a href="spotify:artist:1OPKp3KnSPSFB9uqpfsnT6">Potter</a> departed; the Generator recorded one more LP, 1971's Pawn Hearts, before <a href="spotify:artist:7uBH52YnXUbJ0ssoyNqQTB">Hammill</a> left for a solo career, putting an end to the group. After five solo efforts, however, <a href="spotify:artist:7uBH52YnXUbJ0ssoyNqQTB">Hammill</a> again re-formed Van der Graaf Generator in 1975 for Godbluff. Following a pair of 1976 albums, Still Life and World Record, Banton and <a href="spotify:artist:7qiozhwvnBwz1t082JIBNV">Jackson</a> exited; as simply Van der Graaf, the band recorded The Quiet Zone with new violinist Graham Smith. After a 1978 live set, Vital, the group officially disbanded, although most members made appearances on <a href="spotify:artist:7uBH52YnXUbJ0ssoyNqQTB">Hammill</a>'s subsequent solo records.

Twice during the '90s, Van der Graaf reunited for one-off gigs, and in 2005 released a reunion album, Present. Without <a href="spotify:artist:7qiozhwvnBwz1t082JIBNV">Jackson</a>, the trio of <a href="spotify:artist:7uBH52YnXUbJ0ssoyNqQTB">Hammill</a>, Banton, and Evans recorded Trisector, which appeared in 2008. They appeared in concert frequently in 2009, and released another studio album, A Grounding in Numbers, in 2011. An album of studio jams and outtakes titled ALT followed a year later. The trio returned in 2016 with their 13th studio effort, Do Not Disturb. ~ Jason Ankeny, Rovi