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Vincenzo Maltempo’s artistic personality finds an important place in the contemporary wide and diversified music scene after his massive recordings and recitals dedicated to Charles Valentin Alkan of which he is considered one of the most authoritative interpreter and connoisseur.
Since 2009, in fact, he recorded the most important Alkan works for the English label ‘Piano Classics’; this considerable work has attracted the attention of the most renowned international magazines such as Diapason, The Guardian, Piano News, Gramophone and others where his recordings get the coveted ’5 Stars’. Andrew Clements (The Guardian) says about his playing: “Exhilarating, demonic, a real revelation!”, and Robert Nemececk (PianoNews) writes: “considering one of the greatest contemporary interpreters of this composer [Alkan] no other pianist as Maltempo has managed to dominate in a so well thought-out and orchestral way the enormous difficulties [of Alkan works]”. He recorded and played Alkan’s most important works and he is one of the very few interpreters who played the whole set of the “Douze études dans toutes les tons mineurs” Op. 39 in one single recital (Yokohama, November 2013). Vincenzo Maltempo is defined as a “thrillingly resourceful musician with formidable technique and intelligence” (Jeremy Lee), with a “sound like carved in marble” (PianoNews), his “phrasing so elegant, the never ostentatious virtuosity, his mastery of form and musical sense” (L’Osservatore Romano).
Since 2009, in fact, he recorded the most important Alkan works for the English label ‘Piano Classics’; this considerable work has attracted the attention of the most renowned international magazines such as Diapason, The Guardian, Piano News, Gramophone and others where his recordings get the coveted ’5 Stars’. Andrew Clements (The Guardian) says about his playing: “Exhilarating, demonic, a real revelation!”, and Robert Nemececk (PianoNews) writes: “considering one of the greatest contemporary interpreters of this composer [Alkan] no other pianist as Maltempo has managed to dominate in a so well thought-out and orchestral way the enormous difficulties [of Alkan works]”. He recorded and played Alkan’s most important works and he is one of the very few interpreters who played the whole set of the “Douze études dans toutes les tons mineurs” Op. 39 in one single recital (Yokohama, November 2013). Vincenzo Maltempo is defined as a “thrillingly resourceful musician with formidable technique and intelligence” (Jeremy Lee), with a “sound like carved in marble” (PianoNews), his “phrasing so elegant, the never ostentatious virtuosity, his mastery of form and musical sense” (L’Osservatore Romano).
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