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In 1991, Detroit techno group <a href="spotify:artist:0tbuVFxbrGx2oiNbpetUGc">Underground Resistance</a> licensed a few of its productions to Tresor, an upstart label based in Berlin. Rather than release the tracks under its own name, <a href="spotify:artist:0tbuVFxbrGx2oiNbpetUGc">Underground Resistance</a> released them under the moniker X-101. The resulting six-track EP, which became Tresor's first-ever release, proved so successful that <a href="spotify:artist:0tbuVFxbrGx2oiNbpetUGc">Underground Resistance</a> and Tresor teamed up for two more releases: one as <a href="spotify:artist:2ShmQqlffWMqZRjyEqJfM4">X-102</a> (Explores the Rings of Saturn, 1992) and another as X-103 (Atlantis, 1993). Though <a href="spotify:artist:0tbuVFxbrGx2oiNbpetUGc">Underground Resistance</a> was a collective at the time -- comprised of Mike Banks, <a href="spotify:artist:2eIDAcLKnWc4D350YyzvgS">Jeff Mills</a>, and <a href="spotify:artist:5ipQlfnpRCtyOuhYqvPvQ8">Robert Hood</a> -- <a href="spotify:artist:2eIDAcLKnWc4D350YyzvgS">Mills</a> is often credited for helming the X-10... releases, with <a href="spotify:artist:5ipQlfnpRCtyOuhYqvPvQ8">Hood</a> as his co-producer. ~ Jason Birchmeier, Rovi

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