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Adam Gibbons, the artist &amp; producer behind <a href="spotify:artist:5e3Z7HYpiVcP3TlU0a4yap" data-name="Lack Of Afro">Lack Of Afro</a> and <a href="spotify:artist:3vrsHuHU6Ypbexwc3OXNUQ" data-name="The Damn Straights">The Damn Straights</a>, readies The Last Bastion OST, a cinematic, funk &amp; soul soundtrack to a film that has yet, and may never, be made. Encompassing lush string and horn arrangements, the project will be released in three parts, with the full soundtrack coming out on limited edition, red vinyl this summer. Having originally got into music with the idea of scoring for films, The Last Bastion sees Adam fulfilling something of a long-held ambition.

&#34;Long before all the Lack of Afro stuff took over, being a film composer was all I wanted to do. All my heroes were composers - guys like <a href="spotify:artist:7ctAOUlIAs7yuMODWE2Fyz" data-name="John Barry">John Barry</a>, <a href="spotify:artist:3dRfiJ2650SZu6GbydcHNb" data-name="John Williams">John Williams</a> &amp; <a href="spotify:artist:1csBgT42N4pPPs1HJhxXIK" data-name="Thomas Newman">Thomas Newman</a> and more recently <a href="spotify:artist:10kGEgP8MxhlfeA2tMinsL" data-name="David Holmes">David Holmes</a>, <a href="spotify:artist:7LbEDjJKrmWoMcN3OpaNnR" data-name="Daniel Pemberton">Daniel Pemberton</a> and <a href="spotify:artist:24eDfi2MSYo3A87hCcgpIL" data-name="Ludwig Goransson">Ludwig Goransson</a>. There is something magical about a great film score - it adds so much to the cinematic experience in every way imaginable. I was always drawn to what the music was doing and I was fascinated by the guys who were the composers of the magic.”

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