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Centered around leader Steve Washington and singers Starleana Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Curtis Jones</a>, Aurra was an outgrowth of the Ohio-based funk band <a href="spotify:artist:5mtKpqeeaFavW15yIX4h5e">Slave</a>. They recorded a handful of albums during their late-'70s and early-'80s existence, with most of that output released on Salsoul. The group's membership shifted constantly, with most of the musicians having strong ties to <a href="spotify:artist:5mtKpqeeaFavW15yIX4h5e">Slave</a>. Aurra helped take Salsoul into the '80s by recording dancefloor-friendly material with the help of synthesizers and programmed rhythms. While the bulk of Salsoul's early releases featured elaborate string sections, mostly live instrumentation, and thumping disco foundations, '80s projects such as Aurra took advantage of studio technology and appealed to club DJs and radio programmers alike by concentrating equally on traditional songcraft and dance rhythms.
Washington instigated Aurra as a family affair of sorts, using various friends and members of the <a href="spotify:artist:5mtKpqeeaFavW15yIX4h5e">Slave</a> road crew to fill out the group's lineup; at various points, Aurra's personnel swelled to a dozen. In addition to the core of Washington, Young, and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a>, Aurra's membership included Mark Adams, <a href="spotify:artist:030gEPJwNJnBcyra7CB9vM">Steve Arrington</a>, Charles "Cedell" Carter, Philip Field, Buddy "Hanks" Henderson, Jennifer Ivory, Tom Lockett, William Young, and Mike Young. Washington helped Aurra score a contract with Salsoul, one of the premier disco labels.
Their self-titled 1980 debut was actually released on Dream, a subsidiary of Salsoul, but their next three albums -- 1981's Send Your Love, 1982's A Little Love, and 1983's Live and Let Live -- were released on Salsoul proper. Around the time Live and Let Live was conceived and released, financial matters began to cause turmoil within the group. Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> grew increasingly distrustful of Washington, and the tension became so great that a frustrated Washington left and offered to sell Aurra's trademark to Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a>. Washington ended up keeping the name -- allegedly after Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> failed to follow through on the offer -- and recorded an Aurra record for Quest with new membership, including former <a href="spotify:artist:1UpV4Xw5bG23MNBlhD8rpc">Bride of Funkenstein</a> Sheila Horne and <a href="spotify:artist:6mQfAAqZGBzIfrmlZCeaYT">Chaka Khan</a> sibling <a href="spotify:artist:79jtAB70LP1gyL8htHBv8v">Mark Stephens</a>. Thanks to the legal protestations of Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a>, the record never saw the light of day.
Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> recorded a fifth Aurra album after leaving Salsoul. Apparently, Salsoul's improprieties were another source of strife within the group. Released on Next Plateau, 1985's Like I Like It gave Aurra their first chart hit in the U.K, in the form of the title track. That was the last anyone would hear from Aurra in name. Weary of further legal hassles, Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> continued under the name <a href="spotify:artist:4Uxhf27oIW7pzbgflCLjLt">Déjà</a> and scored a number two R&B chart hit in 1987 with "You and Me Tonight." Young split from <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> in 1988 and went solo; she released an album in 1991 and also did background vocal work for her husband, <a href="spotify:artist:3VNITwohbvU5Wuy5PC6dsI">Kool & the Gang</a>'s <a href="spotify:artist:1Ue3gjqQbKPhj9w6LVW4ph">J.T. Taylor</a>. <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> continued <a href="spotify:artist:4Uxhf27oIW7pzbgflCLjLt">Déjà</a> with Mysti Day and released a second album under that name. ~ Andy Kellman, Rovi
Washington instigated Aurra as a family affair of sorts, using various friends and members of the <a href="spotify:artist:5mtKpqeeaFavW15yIX4h5e">Slave</a> road crew to fill out the group's lineup; at various points, Aurra's personnel swelled to a dozen. In addition to the core of Washington, Young, and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a>, Aurra's membership included Mark Adams, <a href="spotify:artist:030gEPJwNJnBcyra7CB9vM">Steve Arrington</a>, Charles "Cedell" Carter, Philip Field, Buddy "Hanks" Henderson, Jennifer Ivory, Tom Lockett, William Young, and Mike Young. Washington helped Aurra score a contract with Salsoul, one of the premier disco labels.
Their self-titled 1980 debut was actually released on Dream, a subsidiary of Salsoul, but their next three albums -- 1981's Send Your Love, 1982's A Little Love, and 1983's Live and Let Live -- were released on Salsoul proper. Around the time Live and Let Live was conceived and released, financial matters began to cause turmoil within the group. Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> grew increasingly distrustful of Washington, and the tension became so great that a frustrated Washington left and offered to sell Aurra's trademark to Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a>. Washington ended up keeping the name -- allegedly after Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> failed to follow through on the offer -- and recorded an Aurra record for Quest with new membership, including former <a href="spotify:artist:1UpV4Xw5bG23MNBlhD8rpc">Bride of Funkenstein</a> Sheila Horne and <a href="spotify:artist:6mQfAAqZGBzIfrmlZCeaYT">Chaka Khan</a> sibling <a href="spotify:artist:79jtAB70LP1gyL8htHBv8v">Mark Stephens</a>. Thanks to the legal protestations of Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a>, the record never saw the light of day.
Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> recorded a fifth Aurra album after leaving Salsoul. Apparently, Salsoul's improprieties were another source of strife within the group. Released on Next Plateau, 1985's Like I Like It gave Aurra their first chart hit in the U.K, in the form of the title track. That was the last anyone would hear from Aurra in name. Weary of further legal hassles, Young and <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> continued under the name <a href="spotify:artist:4Uxhf27oIW7pzbgflCLjLt">Déjà</a> and scored a number two R&B chart hit in 1987 with "You and Me Tonight." Young split from <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> in 1988 and went solo; she released an album in 1991 and also did background vocal work for her husband, <a href="spotify:artist:3VNITwohbvU5Wuy5PC6dsI">Kool & the Gang</a>'s <a href="spotify:artist:1Ue3gjqQbKPhj9w6LVW4ph">J.T. Taylor</a>. <a href="spotify:artist:57dYeOpw946Lqe0B4ILs4m">Jones</a> continued <a href="spotify:artist:4Uxhf27oIW7pzbgflCLjLt">Déjà</a> with Mysti Day and released a second album under that name. ~ Andy Kellman, Rovi
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