David Wilson-Johnson

Bass, baritone, and bass-baritone David Wilson-Johnson has performed internationally and has made notable recordings of contemporary works. For many years, he was equally devoted to opera, concert music, and art song, and he is exceptionally prolific as a recording artist.

Wilson-Johnson was born in Northampton, England, on November 16, 1950. He attended the nearby Wellingborough school. Wilson-Johnson went on to St. Catharine's College, Cambridge, where he studied modern and medieval languages; his skill with languages has remained with him as he has sung music in Russian, French, German, Italian, and English. Wilson-Johnson's vocal training took place mostly at the Royal Academy of Music in London; there, he won the Dove Prize for most distinguished student. Wilson-Johnson made his professional opera debut at the Royal Opera House at Covent Garden in 1976 in <a href="spotify:artist:7xkiLJgEoKMVDgTh0s2Mqu">Hans Werner Henze</a>'s We Come to the River. That set the pattern for two aspects of Wilson-Johnson's career, which has been focused on but not exclusively devoted to contemporary music and which has entailed frequent appearances at the Royal Opera House. At the beginning of his career, Wilson-Johnson was a member of the <a href="spotify:artist:6JP6LrgvTOWrGZvgGOjCwM">BBC Singers</a>, the <a href="spotify:artist:0Cqfz92flAzrp94pgN1jEW">Monteverdi Choir</a>, and other prominent British choirs. An early digital recording by Wilson-Johnson appeared on the <a href="spotify:search:label%3A%22Archiv+Produktion%22">Archiv Produktion</a> label in 1987 and featured Haydn's Mass in D minor ("Lord Nelson"), H. 22/11.

Wilson-Johnson's career has been notable for its variety, and he has sung roles traditionally designated as for bass, bass-baritone, and baritone. He has appeared at many of the world's major opera houses, singing under conductors as diverse as <a href="spotify:artist:2prZJWfQMnIgwUKxKcBxH7">Pierre Boulez</a>, <a href="spotify:artist:0KmvC3SVTF02l4ueknQCsW">Gustav Leonhardt</a>, <a href="spotify:artist:4GQwgdcDQwqtcHICjUNndp">Simon Rattle</a>, and <a href="spotify:artist:2tfWguHr2nj4e8KXLKciVq">André Previn</a>. His repertory ranges from Sarastro in <a href="spotify:artist:4NJhFmfw43RLBLjQvxDuRS">Mozart</a>'s Die Zauberflöte to the title role in <a href="spotify:artist:6CS9O2pE67oq44GZuBEBuD">Messiaen</a>'s Saint François d'Assise, with an emphasis on 20th century works. Wilson-Johnson has been in demand as a concert singer, performing, among many other works, <a href="spotify:artist:5wTAi7QkpP6kp8a54lmTOq">Brahms</a>' Ein deutsches Requiem, Op. 45, at Carnegie Hall in New York under <a href="spotify:artist:2tfWguHr2nj4e8KXLKciVq">Previn</a>. After the terrorist attacks of September 11, 2011, Wilson-Johnson performed in Beethoven's Symphony No. 9 in D minor, Op. 125 ("Choral"), under conductor <a href="spotify:artist:0xcogVKoT8y5OBIg3L0fua">Leonard Slatkin</a> at the Last Night of the Proms in London. In song repertory, he performs in many languages and has been associated with pianist David Owen Norris since his student days. Wilson-Johnson has made more than 200 recordings, not all of them in the classical field; he has appeared on recordings by <a href="spotify:artist:562Od3CffWedyz2BbeYWVn">Mike Oldfield</a> and other pop artists. Wilson-Johnson has remained active into old age, and he appeared in 2024 on a newly released 1997 recording of Havergal Brian's opera The Cenci on the <a href="spotify:search:label%3A%22Toccata+Classics%22">Toccata Classics</a> label. ~ James Manheim, Rovi