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A composer, vocalist, and genre-spanning collaborator, Hanna Benn has been creating music for over a decade. Her multi-disciplinary approach has incorporated dance, opera, and theater — submerging boundaries and discovering new sonic landscapes in the process.

Her work as a composer has taken her across the globe, from most recently a premiere at The Perth International Arts Festival to Antwerp performing with the B.O.X Baroque Orchestra. Past works have been performed by the <a href="spotify:artist:4SIICAgOZmqMPqG1qTg5aI" data-name="Northwest Symphony Orchestra">Northwest Symphony Orchestra</a>, Saint Helen&#39;s String Quartet, <a href="spotify:artist:49anP623KHMjUnYKZBlyOB" data-name="Seattle Chamber Players">Seattle Chamber Players</a>, <a href="spotify:artist:6Ddc584iTUWD34Fy18pjrZ" data-name="Opus 7 Vocal Ensemble">Opus 7 Vocal Ensemble</a>, North Corner Chamber Orchestra and the Indianapolis Symphony. She has also written and recorded with <a href="spotify:artist:3kZdsaTYgaaolNxpnJ4iDe" data-name="Son Lux">Son Lux</a>, <a href="spotify:artist:1RLjVRaoIxtiVZiV6NNIBX" data-name="Deantoni Parks">Deantoni Parks</a>, <a href="spotify:artist:0uZRjholJ0fVC2J9EvnYnj" data-name="Meshell Ndegeocello">Meshell Ndegeocello</a>, and <a href="spotify:artist:37qXWlhfRvpxmIeTKvfw8B" data-name="My Brightest Diamond">My Brightest Diamond</a>, and toured with <a href="spotify:artist:5ZavV2znwg6dd6jxD94Pw3" data-name="BOOTS">BOOTS</a> (who has produced <a href="spotify:artist:6vWDO969PvNqNYHIOW5v0m" data-name="Beyoncé">Beyoncé</a>, <a href="spotify:artist:6nB0iY1cjSY1KyhYyuIIKH" data-name="FKA twigs">FKA twigs</a>, and <a href="spotify:artist:4RnBFZRiMLRyZy0AzzTg2C" data-name="Run The Jewels">Run The Jewels</a>).

As a vocalist, Benn produces, writes and performs solo. Her most recent release, <a href="spotify:album:0GSjlAvEVOAB2DMrWPj1xv" data-name="DIVIDE">DIVIDE</a>, has received critical acclaim from music publications such as Pitchfork, MTV, Stereogum and XLR8R. Benn has been recognized for her unique and ethereal vocal work which has been described as an “unmistakable sense of sanctuary” (Pitchfork) and “devastatingly moving” (The Stranger).

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