Last updated: 15 hours ago
Fabian Rosenberg (@<a href="spotify:artist:7Fa3dkOyIHZ3RkpaQ3NiRi" data-name="Fabian Rosenberg">Fabian Rosenberg</a>) is a Swedish artist located in Stockholm. He has roots in the jazz tradition as a trumpet player but he moves seamlessly between being a producer, pianist and composer. His music has the capacity to sonically transfer you out of this world. A universe created with artistic accuracy. Intimate piano compositions and field recordings blend together with acoustic instruments and electronics, processed together to create haunting ambiance stringed together with heartfelt melodies.
His pseudonym Klangriket has received international recognition as ”a breath of fresh air” on the ambient and contemporary classical scene. Among his solo works there are several international and local collaborations with artists such as Sjors Mans, Dominique Charpentier and Jakob Lindhagen. Among them is ”The Amsterdam Sessions” with the dutch composer Sjors Mans. It was featured on several of the well established blogs in the genre.
Headphone Commute wrote this about the album:
”It roots in the known, picks up in the affluent, and expands on the serene. The keys are gentle and earnest, dancing their melody in the warm space touched by peaceful strings, tranquil synths, and beautiful soundscapes. What begins as a lo-fi analogue arpeggio (on “Prinsengracht”), slowly develops into a cinematic theme, that cradles and holds, all that is dear in music.”
His pseudonym Klangriket has received international recognition as ”a breath of fresh air” on the ambient and contemporary classical scene. Among his solo works there are several international and local collaborations with artists such as Sjors Mans, Dominique Charpentier and Jakob Lindhagen. Among them is ”The Amsterdam Sessions” with the dutch composer Sjors Mans. It was featured on several of the well established blogs in the genre.
Headphone Commute wrote this about the album:
”It roots in the known, picks up in the affluent, and expands on the serene. The keys are gentle and earnest, dancing their melody in the warm space touched by peaceful strings, tranquil synths, and beautiful soundscapes. What begins as a lo-fi analogue arpeggio (on “Prinsengracht”), slowly develops into a cinematic theme, that cradles and holds, all that is dear in music.”
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