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The name Menahem Pressler was, to many, almost synonymous with the <a href="spotify:artist:5pAFKhoqlYPpCSiTOjh9Bz">Beaux Arts Trio</a>, the group he founded in 1955, the same year the busy pianist joined the faculty at Indiana University. Incredibly, he remained active in both roles for 50-plus years. The <a href="spotify:artist:5pAFKhoqlYPpCSiTOjh9Bz">Beaux Arts Trio</a> was often cited as one of the world's finest piano trios, and most of the credit for its success must go to Pressler, who was, not surprisingly, the only enduring member down through the years. The group, in residence at the Library of Congress in Washington, D.C., concertized widely throughout the world, typically giving around 100 concerts a year. Pressler also made a name for himself as a soloist and recitalist, as well as a freelance pianist working with many other artists and groups, such as the <a href="spotify:artist:10viy7E6l3QXaWVz1PuGGP">Juilliard</a>, <a href="spotify:artist:4IBl8k6ZsBagsI5zRjyXH7">Emerson</a>, and <a href="spotify:artist:20w7d77cK8uJbgV8SDdaIS">Guarneri</a> string quartets. He made more than 60 recordings with the <a href="spotify:artist:5pAFKhoqlYPpCSiTOjh9Bz">Trio</a> and over 30 as a soloist, most appearing on such major labels as <a href="spotify:search:label%3A%22Philips%22">Philips</a> and <a href="spotify:search:label%3A%22Deutsche+Grammophon%22">Deutsche Grammophon</a>, among others. Several composers, including <a href="spotify:artist:1ygboTdafDwlY7TUYEj37E">György Kurtág</a>, wrote works expressly for Pressler.

Pressler was born in Magdeburg, Germany, on December 16, 1923. A talented pianist in his teens, he was forced to flee Germany in 1938. His family settled in Israel, where Pressler received most of his advanced musical education. In 1946, Pressler won the Debussy International Piano Competition in San Francisco. Shortly afterward, he appeared with the <a href="spotify:artist:09KZU0NsS7jRa5p0SflmGY">Philadelphia Orchestra</a> under <a href="spotify:artist:3naY4Tq98GRh9K8xOsINyv">Eugene Ormandy</a>.

Though his career as a piano soloist and recitalist was successful, Pressler became increasingly involved in chamber music and founded the <a href="spotify:artist:5pAFKhoqlYPpCSiTOjh9Bz">Beaux Arts Trio</a> in 1955. The other original members were violinist Daniel Guilet and cellist <a href="spotify:artist:33m8hHvylEDLzWwVkCgnPg">Bernard Greenhouse</a>. Their debut was at the 1955 Berkshire Music Festival. Guilet was replaced in 1969 by Isidore Cohen and <a href="spotify:artist:33m8hHvylEDLzWwVkCgnPg">Greenhouse</a> in 1987 by Peter Wiley. Several other changes came shortly afterward, with <a href="spotify:artist:1G76CZqNJ0VjTHuiVR9WFD">Ida Kavafian</a> and Young Uck Kim holding relatively brief tenures. The <a href="spotify:artist:5pAFKhoqlYPpCSiTOjh9Bz">Trio</a> -- comprised of Pressler, violinist <a href="spotify:artist:59r5UU2HOytn9V5uMZ5Vur">Daniel Hope</a>, and cellist <a href="spotify:artist:71ZkFRxbUaC9OFrTHTYHPh">Antonio Meneses</a> at the time -- took its last bows in 2008.

Pressler continued to perform and record with other musicians and as a soloist for another ten years. Along with teaching since 1955 at Indiana University (Jacobs School of Music), Pressler regularly served as a jury member at the Queen Elisabeth, Van Cliburn, and other competitions, and in 2019, the famed Tchaikovsky Competition. His later recordings include Mozart piano concertos with the Magdeburgische Philharmonie from 2016 and a disc of Debussy solo piano pieces released in 2018. Pressler was 99 years old when he died on May 6, 2023. ~ Robert Cummings & Patsy Morita, Rovi

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265 tracks
1
Suite bergamasque, L. 75: III. Clair de lune

Suite bergamasque, L. 75: III. Clair de lune

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Deux arabesques, L. 66: No. 1 Andante con moto

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Piano Quintet In A, Op.81, B. 155: 2. Dumka (Andante con moto)

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Rêverie, L. 68

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Piano Sonata No. 9, Op. 103: III. Andante tranquillo

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Piano Quintet In A, Op.81, B. 155: 1. Allegro, ma non tanto

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Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace)

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Nocturne No. 20 in C-Sharp Minor, Op. posth.

Nocturne No. 20 in C-Sharp Minor, Op. posth.

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Piano Quartet in E flat, Op. 47: 3. Andante cantabile

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Pavane pour une infante défunte, M. 19

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