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THE LEGENDARY TIGERMAN just released his new album, ZEITGEIST, produced by Anthony Belguise which features <a href="spotify:artist:5MEm3oZhv8zkqd8iepxnCP" data-name="Anna Prior">Anna Prior</a>, <a href="spotify:artist:4eX3m8DCDqa8h8v8ZUF4Ar" data-name="Asia Argento">Asia Argento</a>, <a href="spotify:artist:3dFVFQhJ7koYGID3rnygYv" data-name="Best Youth">Best Youth</a>, <a href="spotify:artist:2Nf7QPKAKk0KRGq4qOVjKh" data-name="Calcutá">Calcutá</a>, Delila Paz (<a href="spotify:artist:2K9hz9205EQR7KkKNdyXFc" data-name="The Last Internationale">The Last Internationale</a>), <a href="spotify:artist:2WOMBqEsllg2ICn7D2L8ta" data-name="Jehnny Beth">Jehnny Beth</a>, <a href="spotify:artist:78ksSRplYSkS4xAKiYcJdp" data-name="RAY">RAY</a>, <a href="spotify:artist:58obmxGKVKCenZAkACSMgJ" data-name="Sarah Rebecca">Sarah Rebecca</a> and <a href="spotify:artist:1LV0kDPswtATaj9eW75Afz" data-name="Sean Riley">Sean Riley</a>.
"In 2019, the year that marked the 10th anniversary of my album <a href="spotify:album:7f4miTqjEgNn3yK0BREkZV" data-name="Femina (Deluxe Edition)">Femina (Deluxe Edition)</a>, I spent more than 3 months in Paris, searching for a new sound for myself, searching for a new way to create Rock ́and ́Roll, writing songs using modular synthesizers and not guitars.
I saw Winter turn to Spring and Spring turn to Summer, I sadly saw Notre Dame burning, I roamed the empty corridors of Le 104 alone at night and watched people dance from the windows of my atelier, and I really LIVED Paris. I felt it, I got lost in the city, I saw its dirt and craziness and also its light, I wrote about all this, and all this was a major influence on my transformation.
And I found a new voice.
The first song I wrote was <a href="spotify:album:0MI7viH5sLqzsknLimL59I" data-name="Good Girl">Good Girl</a>.
With GOOD GIRL, I finally felt I was into something new, exploring unknown and uncharted musical landscapes, but still keeping TIGERMAN’s soul and skeleton pretty much alive.
It was so exciting to see this new sound come to life, to dance in the dark while the modular synths
sequences play loud in my PA, to barely play guitar, and still feel I was writing Rock’n’roll."
"In 2019, the year that marked the 10th anniversary of my album <a href="spotify:album:7f4miTqjEgNn3yK0BREkZV" data-name="Femina (Deluxe Edition)">Femina (Deluxe Edition)</a>, I spent more than 3 months in Paris, searching for a new sound for myself, searching for a new way to create Rock ́and ́Roll, writing songs using modular synthesizers and not guitars.
I saw Winter turn to Spring and Spring turn to Summer, I sadly saw Notre Dame burning, I roamed the empty corridors of Le 104 alone at night and watched people dance from the windows of my atelier, and I really LIVED Paris. I felt it, I got lost in the city, I saw its dirt and craziness and also its light, I wrote about all this, and all this was a major influence on my transformation.
And I found a new voice.
The first song I wrote was <a href="spotify:album:0MI7viH5sLqzsknLimL59I" data-name="Good Girl">Good Girl</a>.
With GOOD GIRL, I finally felt I was into something new, exploring unknown and uncharted musical landscapes, but still keeping TIGERMAN’s soul and skeleton pretty much alive.
It was so exciting to see this new sound come to life, to dance in the dark while the modular synths
sequences play loud in my PA, to barely play guitar, and still feel I was writing Rock’n’roll."
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