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In 2014, Tones released a pair of his most advanced EPs through <a href="spotify:search:label%3A%22Fabric%22">Fabric</a>'s <a href="spotify:search:label%3A%22Houndstooth%22">Houndstooth</a> division (which had also signed <a href="spotify:artist:3cV1iM4dUpnwYdbSh32nmF">Snow Ghosts</a>). They preceded the album Mosaic, also released on <a href="spotify:search:label%3A%22Houndstooth%22">Houndstooth</a>, later that year. Following the February 2015 release of <a href="spotify:artist:3cV1iM4dUpnwYdbSh32nmF">Snow Ghosts</a>' second album, Tones returned to solo work with a trio of captivating digital singles, Lumen, Glower, and Xema (all collected as vinyl EP Axioms), before getting to work on his sophomore full-length. The record, titled Embers, was released once again through <a href="spotify:search:label%3A%22Houndstooth%22">Houndstooth</a> in January 2017. 2018 saw Throwing Snow sporadically release a number of singles such as "Simmer," "Myriad," and "Vulpine" -- all of which merged the composer's penchant for resonant ambience, breakneck drum'n'bass tempos, and pulsating techno-esque beats. November of that year saw the release of Loma -- a full-length effort that combined the aforementioned singles from throughout the year. The following November, he issued The Death of Pragmatism EP, which explored the political tensions and fragmentation in the U.K. related to Brexit. For his fourth record, 2021's Dragons, Tones created an algorithm that connected the music to images, both feeding off of each other to make unpredictable patterns which he then manipulated into tracks. He used this method to explore the purpose of music from its very beginning up until the use of machine learning, and how that has affected its trajectory. ~ Andy Kellman, Rovi
Monthly Listeners
105,381
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Followers
45,201
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Total Streams
28.8 million
Total Streams History
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