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Blurstem is the ambient piano project of multidisciplinary artist and composer <a href="spotify:artist:4RVdMNwTuWJAPTYpzBri7K" data-name="Chris Bartels">Chris Bartels</a>, (who also writes under <a href="spotify:artist:5vDfVxwAH8ANpuIKKxfOeq" data-name="Elskavon">Elskavon</a>, <a href="spotify:artist:1wbQqpXNW8Li4GSLL1T5bQ" data-name="Dellwood">Dellwood</a>, <a href="spotify:artist:0jgC3HsKV46vXA8wsaZFuP" data-name="Olma">Olma</a>, <a href="spotify:artist:3IeaI931pLCF0gOhDKJyBX" data-name="Bora York">Bora York</a>) whose work spans music, sound design, and visual storytelling. Known for crafting immersive, emotionally resonant worlds across multiple projects, Bartels approaches Blurstem as a space of restraint—where simplicity, silence, and time itself become primary creative tools.

Originally conceived as a quiet side project to Bartels’ earlier work as Elskavon, Blurstem emerged during a period of profound personal transition. Shortly after buying his first home and welcoming his first child, Bartels found solace in late-night piano improvisations on a modest, felted instrument—recording unguarded sketches in the still hours when the house had fallen quiet.

Those recordings became the foundation of Blurstem’s debut album, <a href="spotify:album:200vcPLVoS5SbVLQFxin4L" data-name="Among the Oaks">Among the Oaks</a> (2019). Eight years later, Bartels returned to the archive, uncovering fragments that had never been fully realized. Listening back felt both distant and immediate—an encounter with a younger self whose voice remained deeply connected to the present.

Rather than releasing the material as archival work, Bartels treated these fragments as raw source material, using them as a canvas for transformation. The result is Fallen Fragments—an album that expands sparse, emotive piano pieces through analog tape loops, reverb-soaked layers, time-warping processes, reversals, pitch shifts, and repetition.

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