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Whereas contemporaries such as The Stone Roses or Inspiral Carpets played indie music with a dance shuffle, The Mondays concocted a brew that was far more adventurous and potent. Everything from 70s funk, Detroit techno, psychedelia, hip-hop and even country music could be pulled into the group’s intoxicating grooves. Leading the melee was Ryder and his genius wordplay – a surrealist blend of drug slang, Lancastrian idioms and his own bizarre sense of humour.
Following unwieldly-titled 87 debut, Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out), the band found their swagger with 88’s Bummed. A gleefully debauched fever dream of a record, if The Stone Roses’ debut album from the same year produced a second summer of love-ready burst of chiming indie rock, on tracks such lurching opener Country Song or Wrote For Luck’s hypnotic clatter, Bummed still sounds today like the work of a bunch of funkadelic scallies from another planet.
90’s Pills ‘n’ Thrills and Bellyaches emerged from its predecessor’s heady fug, tightened up the band’s sound and produced some of their best-loved tracks including perennial indie disco staples Kinky Afro, Loose Fit and Step On.
Monthly Listeners
474,827
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Followers
449,233
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Total Streams
185.0 million
Total Streams History
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