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One of the relatively few artists who emerged in the early '70s to enjoy a run of success with a Southern soul-based sound, this Florida singer recorded her best material for Atlantic in Miami with noted session players like <a href="spotify:artist:6RYb06UBkiv8IWByqRhEDd">the Memphis Horns</a> and the Dixie Flyers. Putting her earthy pop-soul to ballads and mid-tempo material, much of it written and crafted by producer Dave Crawford, Moore had a half-dozen R&B hits for the label; the biggest, "Precious, Precious" (1970) and "Sweet Charlie Babe" (1973), were also small pop hits. In 1972 and 1973, she cut some tunes in Philadelphia's Sigma Sound Studios with a slicker feel, with generally successful results. There was nothing especially earth-shaking about Moore's style or material, but it was solid stuff with a grittier feel than much of the soul music in vogue at the time. After leaving Atlantic, she had one more sizable R&B hit, "Make Me Feel Like a Woman" (1975). ~ Richie Unterberger, Rovi
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