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Trained at the Guildhall School of Music in London, Lisa Beznosiuk became a favorite flutist of English period-instrument groups, bringing a degree of warmth to an instrument that other Baroque specialists tended to mechanically approach. Beznosiuk studied modern flute with Kathryn Lukas and Baroque flute with <a href="spotify:artist:4cRJvQtHyGL0femYyf8F5t">Stephen Preston</a>. She made her solo debut in London in 1983 and as a member of that city's pool of freelance early music specialists, she performed and recorded widely with the <a href="spotify:artist:3OtZV9aCZ6G004vjOQcf59">English Baroque Soloists</a>, the Academy of Ancient Music, and the <a href="spotify:artist:2Oz3z7PPQUMU2KNYgcO1sA">English Concert</a>. She helped found the <a href="spotify:artist:1WWZAYN8d4n4iwjYALmmKB">Orchestra of the Age of Enlightenment</a> and joined the <a href="spotify:artist:5j1y9VGOCjyufKkXJYZLrY">London Classical Players</a> in 1992 as principal flute. She also performed as a recitalist with the likes of lutenist <a href="spotify:artist:3bXYTyOxtKi2xyij1LDCnQ">Nigel North</a>, harpsichordist Maggie Cole, and cellist Richard Tunnicliffe, her husband. One of Beznosiuk's most-notable recordings is of <a href="spotify:artist:4NJhFmfw43RLBLjQvxDuRS">Mozart</a>'s G major concerto with conductor <a href="spotify:artist:0vBafEFOLXtq5mZuhMgsyL">Christopher Hogwood</a>, which for its fluency, nuance, and spirit holds its own against recordings by more famous virtuosi. Beznosiuk teaches at several conservatories in the London area.
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