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Paul Desmond is widely recognized for his genius as a melodic improviser and as the benchmark of cool jazz sax players. His warm, elegant tone was one that he admittedly tried to make sound like a dry martini. He and <a href="spotify:artist:3GpMtIOC5ZLvMBMI7IxPvA">Art Pepper</a> were virtually the only alto players of their generation not directly influenced by <a href="spotify:artist:4Ww5mwS7BWYjoZTUIrMHfC">Charlie Parker</a>. Desmond was influenced by <a href="spotify:artist:05E3NBxNMdnrPtxF9oraJm">Lester Young</a>, but took it further, into melodic and harmonic worlds never before traveled by reedmen -- especially in the upper registers. Desmond is best known for his years with the <a href="spotify:artist:4iRZAbYvBqnxrbs6K25aJ7">Dave Brubeck Quartet</a> (1959-1967) and his well-known composition "Take Five." He met <a href="spotify:artist:3kUKwTJdH8FuWzF8p6Dg9E">Brubeck</a> in the late '40s and played with his Octet. The <a href="spotify:artist:4iRZAbYvBqnxrbs6K25aJ7">Quartet</a> formed toward the end of 1950 and took final shape with <a href="spotify:artist:3Bx84JkzpCnEzS2bTIHI53">Eugene Wright</a> and <a href="spotify:artist:2XHGLglpO58EeFaYktKslK">Joe Morello</a> a few years later. Jazz at Oberlin and Take Five were considered essential purchases by college students of the era, but Jazz Impressions of Japan was its most innovative recording. Desmond played his loping, slow, ordered, and intricate solos in direct contrast to the pianist's obsession with large chords, creating a myriad of textures for melodic and rhythmic counterpoint unlike any heard in jazz. His witty quotations from musicals, classical pieces, and folk songs were also a watermark of his artistry. When the <a href="spotify:artist:4iRZAbYvBqnxrbs6K25aJ7">Quartet</a> split in 1967, Desmond began an intermittent yet satisfying recording career. It included dates with <a href="spotify:artist:6l40OFJhuTbHQ9V12evc9K">Gerry Mulligan</a> for Verve, various sessions with <a href="spotify:artist:5pMmqpG3HsoJ6EDDoXGXEr">Jim Hall</a>, and a concert with the <a href="spotify:artist:7wBFjZMHsC6nfV0HOSd6uI">the Modern Jazz Quartet</a>. He played his last gigs with the <a href="spotify:artist:4iRZAbYvBqnxrbs6K25aJ7">Brubeck Quartet</a> at reunions before dying of lung cancer. Desmond's recordings for RCA have gotten box-set treatment and Mosaic issued one of the complete sessions with <a href="spotify:artist:5pMmqpG3HsoJ6EDDoXGXEr">Hall</a>. There are also reissues from A&M and CTI, though recordings on Artist House and Finesse remain regrettably out of print. ~ Thom Jurek, Rovi

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Popular Tracks

345 tracks
1
Take Five

Take Five

Jan 1, 1956

309.2 million

streams

2
Autumn Leaves

Autumn Leaves

May 22, 1990

85.3 million

streams

3
Bossa Antigua

Bossa Antigua

Jan 1, 1997

26.2 million

streams

4
A Taste of Honey - Live

A Taste of Honey - Live

Aug 26, 1997

20.4 million

streams

5
Emily

Emily

Jan 1, 1968

19.5 million

streams

6
Take Ten

Take Ten

Jan 1, 1961

16.2 million

streams

7
The Theme from "Black Orpheus"

The Theme from "Black Orpheus"

Jan 1, 1963

14.2 million

streams

8
Theme from "Black Orpheus"

Theme from "Black Orpheus"

Aug 26, 1997

14.2 million

streams

9
Black Orpheus

Black Orpheus

Jan 1, 1961

14.2 million

streams

10
A Taste of Honey

A Taste of Honey

Jan 1, 1965

11.5 million

streams